tag:blogger.com,1999:blog-37335475656143272362024-03-21T21:21:14.674-07:00CHOP-TENSILSUnknownnoreply@blogger.comBlogger97125tag:blogger.com,1999:blog-3733547565614327236.post-55417345781296051702009-08-27T09:23:00.000-07:002009-08-27T09:28:15.083-07:00I've MOVED!!!!<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_mUvHdNrU7AU/Spa0DuFgutI/AAAAAAAAA2E/Rl5JRHd-VXc/s1600-h/Moving+house.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 262px; height: 320px;" src="http://3.bp.blogspot.com/_mUvHdNrU7AU/Spa0DuFgutI/AAAAAAAAA2E/Rl5JRHd-VXc/s320/Moving+house.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5374681181317020370" /></a><br />So I've been trying to get this audio stuff going on this site way too long, and I finally took Ansel's advice (among others). So - I'm off to Wordpress. There you will see the same great Choptensils writing (with all the archives, comments, etc. from before) with enhanced features. And, most importantly . . . <br /><br />The Choptensils PODCAST!!!!<br /><br />So - head on over to the new site for Choptensils:<br /><br /><a href="http://choptensils.wordpress.com">www.choptensils.wordpress.com</a>Unknownnoreply@blogger.com4tag:blogger.com,1999:blog-3733547565614327236.post-79518233795776433452009-08-25T09:30:00.000-07:002009-08-25T10:02:01.822-07:00Another Camp Triumph: Wasian Pride<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_mUvHdNrU7AU/SpQYvUHDiKI/AAAAAAAAA18/80CglpE_QkI/s1600-h/culture_hapa00.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 229px;" src="http://3.bp.blogspot.com/_mUvHdNrU7AU/SpQYvUHDiKI/AAAAAAAAA18/80CglpE_QkI/s320/culture_hapa00.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5373947456491063458" /></a><br />This will be a briefer post on another camp triumph – and one that hits even more personally.<br /><br />It’s about Wasians. <br /><br />Specifically, it’s about two Wasians: myself, and a camper.<br /><br />If you’re unclear on what a Wasian is, it’s a bi-racial, White and Asian person. You should already know my mix, but the camper’s mix is White (mother) and Cambodian (father). <br /><br />This particular camper happens to be one of my middle school students who I had all through last year. The same kid who asked me about my choice in music, and when I told him I listened to “pretty much anything,” he answered, “is that because you’re Wasian, and we don’t really fit in anywhere?” <br /><br />Outside of his brother, I’m very likely the only other Wasian this kid knows. And so he – being a conscious being – has attached to me. Because he is trying to figure out his Wasian place in the world, and there are not a lot of places to look when trying to find this answer. Especially in Portland.<br /><br />So I’ve assumed a lot of responsibility for this one kid – because I understand just how important it is for him to have a Wasian role model (since I never had one). Somebody to help show him how a Wasian can be in the world. <br /><br />And we’ve talked about it a lot. Talked about not fitting in and how our mix determines how other people perceive us. And we unite over it (he often would yell “Wasian Pride!!!” when he saw me arriving at school in the morning) and share a very overt connection over our specific mix.<br /><br />So when he made it out to camp, we came to a decision: we were going to write a “Wasian rap” and perform it together at the camp’s big Open Mic night. <br /><br />I’m not really going to go into much more detail than that. It’s not necessary. Just the fact that this kid – self-identified “Wasian” (I’ve never used the term until he started referencing it) – wrote a piece about his own identity and life, and I had the honor of being invited to share the stage with him as he performed it for a crowd of his peers (none of them Wasian, of course).* <br /><br />I saw his pride. I heard it in his voice when he spoke into the mic and introduced our performance with, “We’re both Wasian . . .” And so I couldn't control the sh--eating grin that spread over my face when the crowd went nuts for him, afterwards. Because he's a great kid, and I get excited for all of my kids when they get to have a moment like that (a moment of bravery when they stand up in front of their peers and share a piece of themselves). But it was even more sweet because I couldn't help but think about my own youth, and how cool it would have been if my specific way of identifying could have been validated like that - so strongly and positively - before I grew into adulthood. <br /><br />I complain a lot. A lot of this blog is full of negative experiences. But this was not one of those. I got to be a role model to a kid who is currently living an outsider life – one that I can directly relate to - and share a moment of triumph with him. <br /><br />And he’s not going to follow in my footsteps – Hell no. No, instead, I hope that he can jump past a few years of my own insecurities and, as a result, walk his own path more strongly and effectively. And wherever that takes him – that’s exactly how Wasians do it. <br /><br />Because that's the ultimate goal here, as a role model: to validate the kids' experiences and identities (however they are) while showing them that those very experiences and identities don't have to be strict guidelines to how they end up living their lives. <br /><br />Yeah - he's Wasian, and proud of it. And that's a very positive thing. And, more importantly, having grasped that so early, he is now free to do whatever he wants with it. <br /><br />And that's that. <br /><br />* The two pieces we spliced together for the performance didn't end up being about being specifically Wasian, but they regarded our identities and how we are as individuals in the world - which, in the end, is about being Wasian for both of us. <br /><br />** The photo is of Kip Fullbeck, Wasian author of "Paper Bullets," sometimes spoken-word artist, and creator of the Hapa Project.Unknownnoreply@blogger.com4tag:blogger.com,1999:blog-3733547565614327236.post-15636661458443032892009-08-21T12:05:00.000-07:002009-08-21T12:25:52.126-07:00Girl Power<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_mUvHdNrU7AU/So70PDtHpWI/AAAAAAAAA10/m76jxg1lAQ4/s1600-h/girlsrockcamp.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="http://4.bp.blogspot.com/_mUvHdNrU7AU/So70PDtHpWI/AAAAAAAAA10/m76jxg1lAQ4/s320/girlsrockcamp.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5372499945029346658" /></a><br /><br />I’ve been away from the internet (at least on a regular-use basis) this past few weeks as I’ve been working at the arts camp I’ve worked at the last five years. In brief, this is an arts-focused camp for more or less the same population of kids that I teach (in some cases, literally the exact same). Professional artists are brought in to teach various art classes (photography, film, theatre, poetry, sewing, drumming, and more), while other more camp-y stuff happens.<br /><br />Anyway, I wrote a spoken-word piece addressing gender inequality* (specifically, media oppression of women and hip-hop misogyny) a while back, with the intention of sharing it (at least, an edited version) with my kids. And so, at camp, I performed it for the kids (the high school group). <br /><br />And I can’t even begin to explain the reaction it got. All the girls in the audience left their seats, screaming and clapping, because it spoke to them. In appearance and attitude, I kind of represent a lot of stereotypical concepts of “masculinity” in this country, and so I think it shocked the Hell out of them to hear me speak out.<br /><br />And it only got better – because, that night, when all the kids were getting ready for bed, meeting in their smaller groups for nightly check-out sessions, a number of the girls’ sessions revolved entirely around their reaction to my piece. Talking about how guys mistreat them, how they sometimes let that happen, what they can do about it, etc. <br /><br />The following morning, camper after camper sought me out to request a copy of my poem to take home with them. And the best part? It wasn’t just the female campers. No – many of the male campers asked for a copy to take home, as well (and this was individually, with no females to see the request – they actually just wanted a copy). <br />By the end of that session, I had given almost every single camper (and the staff, as well) a copy of my poem. <br /><br />But it didn’t end there. For the rest of the session, an implicit theme of “being a gentleman” began to trickle into camp – male counselors were teaching their groups how to be respectful to women and having them practice; male campers were asking female staff for tips on how to treat women right; female campers were talking to each other and the males about general respect and how to represent themselves. <br /><br />And, as all this went down, I have never felt better about my work or what I do. Never. Not even close. This was my life’s work coming together so perfectly. Getting myself to a place where I could consider forms of oppression that I’m a part of; writing down my thoughts as a poem; performing it; and actually hitting my audience. Not just touching them and making them think for a moment – but hitting them in a way that moved them to want to do more (and actually following up). <br /><br />And it was with kids. Girls/young women at a moment in their lives when they are choosing their paths – and may just be able to alter them a little bit to keep their heads above water in an oppressive world. Boys/young men in a position to either run with their privilege or change how they walk through the world.<br /><br />And I don’t really expect that it’s going to alter their paths. Certainly not all of them. Probably not most of them. But – for a moment – it hit them. Hard. And maybe that will push them just enough to end up in a position to be hit again later on. And then maybe again. And with enough hits – paths really can change. <br /><br />It’s like reverse-oppression: pile on enough POSITIVE situations and consciousness and you might just get the strength to blow through that pile of negative ones. <br /><br />And I’m not writing this to brag – although I am, a little. Because I’m proud. I’ve worked my ass off to get to this point. Because, if I didn’t love those kids and put in the work to really know them and relate to them, they wouldn’t have listened. If I hadn’t earned their respect and kept my integrity, they wouldn’t believe in me. If I hadn’t put in the years of personal work and self-reflection, I never would have written this.<br /><br />And so I’m proud of this one pay-off. Because there’s not a ton of pay-off (at least not on this type of level) in this line of work, and I think I’ve earned this one. And it inspires me. It gives me the fuel to see that I’m on the right path, myself. It hit me back, and helps me see what I want to be doing, how I want to do it, and that it can really work. <br /><br />And that – that’s something. <br /><br />• Here’s the (edited) piece that I shared with the kids (again, it's meant to be spoken, so there's power lost in the translation):<br /><br /><blockquote>Male Privilege<br /><br />This one’s for the women that have to deal with these guys<br />That don’t know how to treat ‘em, always feeding them lies<br />Brainwashed by the media, every female objectified<br />Ignore the patriarchy, cuz you’re doing just fine<br />Ignore the patriarchy, and you’ll do just fine<br /><br />Easy to say, but harder to do when-<br />They say you’re too skinny, too fat, or the wrong complexion<br />Constant messaging starting to make you think that all of this oppression<br />Is truth – representing a man’s ideal of perfection<br />But you<br />Can’t do<br />Your life under faulty conventions<br />But don’t take this man’s word – just look in the mirror<br />And I know this world has tried to instill in you a fear of<br />Seeing yourself raw, stripped of all that you’ve been taught<br />By a man’s world, constantly trying to hide what you’ve got<br />Wouldn’t want you feeling confident enough to rely on your mind<br />Cuz then the job you rightfully got would likely be mine<br />Get you to compete with each other so you’re not competing with us<br />So when you catch your men cheating, you call the women the sluts<br />And that’s messed up – we’ve kept you down enough to fight with each other<br />While this brotherhood of men tries to forget the first mother<br />Cuz that’s the secret, you see<br />We keep you down out of jealousy<br />All the same abilities, but men have one piece missing<br />The act of creating life, God-like in a human form<br />Men feeling less-than because our only contribution is our sperm<br />7 minutes to your 9 months<br />Insignificant to creation once the mating is done<br />So we flip it – our insecurity makes you the objects<br />Increasing our own importance by taking away the meaning from sex<br />So come on ladies – don’t pander to your man<br />If he’s not treating you right, make him spend his nights with his hand<br />Cuz you’re the Gods on this Earth, creating life<br />While he’s just a sperm-donor that just happens to look like . . . a man<br /><br />This one’s for the women that have to deal with these guys<br />That don’t know how to treat ‘em, always feeding them lies<br />Brainwashed by the media, every female objectified<br />Ignore the patriarchy, cuz you’re doing just fine<br />Ignore the patriarchy, and you’ll do just fine<br /><br />If you can get some help . . .<br /><br />Cuz to the rappers of color – what the Hell are we thinking?<br />We get ‘em saying “those people” say “those things” about “their own women”<br />And the messed up thing is that we let them<br />Misogyny’s the b, so let’s get it out of our system<br />These are our mothers, our sisters, and someday our wives<br />Ones who tried to raise us right and even gave us our live<br />Get over the creation-envy and stop oppressing our own<br />Cuz the oppression we dole out is the oppression we bring home<br />So it’s time we grow up and start acting like a father<br />Drop the macho act and raise every girl like a daughter<br />Cuz if they were our own, could we look them in the eyes<br />When they realized our lyrics held them objectified?<br />Talking about hos, degrading women in our videos<br />As if we don’t even know where all that money goes<br />Back in the pocket of the patriarchal regime<br />Who appreciate our part because it keeps their white gloves clean<br />Laughing at how we always do exactly as they want<br />Crushing our own to keep others happy at the top<br />So if we really want all of this oppression to stop<br />We should start with our own actions and words and turn our misogyny off<br />Start acting like real men and turn our misogyny off<br /><br />This one’s for the women that have to deal with these guys<br />That don’t know how to treat ‘em, always feeding them lies<br />Brainwashed by the media, every female objectified<br />Ignore the patriarchy, cuz you’re doing just fine<br />Maybe if we restore the matriarchy, we could be just fine.<br /></blockquote>Unknownnoreply@blogger.com9tag:blogger.com,1999:blog-3733547565614327236.post-34530751273038880162009-07-09T08:47:00.000-07:002009-07-09T09:30:51.106-07:00On a "Chinese Bride"<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_mUvHdNrU7AU/SlYRcL68pvI/AAAAAAAAA1s/Vy6oo5KAh6o/s1600-h/108.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 253px;" src="http://1.bp.blogspot.com/_mUvHdNrU7AU/SlYRcL68pvI/AAAAAAAAA1s/Vy6oo5KAh6o/s320/108.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5356487982737827570" /></a><br /><br />So, I am officially headed to China in the Fall (end of September/beginning of October). Since this is the official plan and where my near-future is taking me, I - of course - have found myself talking about it with many different people. <br /><br />There are a number of reactions to this news - mostly positive - but one of the most common comments I've gotten back (especially from acquaintances, but also from real friends) is a reference to me coming back with a "Chinese bride." Seriously. I've heard this many more times than could even slightly be due to coincidence.<br /><br />And it's <span style="font-style:italic;">not</span> a coincidence. Not at all. It's a "funny" joke just as creative and new as a really tall person being asked about the weather. <br /><br />"Oh - you're going to live in China for a while? I bet you come back with a Chinese bride!" Ha. Ha. Ha.<br /><br />Do I really need to break it down for folks? It all just falls into the theme of race-based objectification of women. In this case, it's part of the whole "exotic, yet submissive" meme that always flows around stereotypes of Asian women. It's that damn Asian fetish rearing its ugly head, yet again. It's also part of the general exploitation and de-humanization of non-Western countries and women of color by the Western (generally white, but not only white) world. <br /><br />So - people's first thought when I talk about going to China? That I must be going to pick up a bride. Like I'm going shopping for a woman. And since we all know how submissive and eager-to-please Chinese women are, of course I could buy one while I'm there. It's a lot cheaper than mail-order, and this way, I can have a pick. Let's think back to the "good old days" of opium dens, "dragon ladies," and cultural exploitation. Right off the bat. <br /><br />This pisses me off on so many levels, but it's that <span style="font-style:italic;">first thought</span> aspect of it that kills me the most. I say I'm finally going to China, and <span style="font-style:italic;">that's</span> what I hear. Nothing about how great that is, from a cultural sense. Nothing about my identity or how much I'll probably learn. Nothing about learning the language, maybe seeing family, etc. No - time and again: "Chinese Bride!! HA HA HA!!!"<br /><br />And that just shows how insidious racism is in this country. It's like me talking about China is my own version of the Implicit Association Test** - I say "going to China," and everybody else spits out their first association: "Chinese Bride." Cutting through all the bullshit. Friends, acquaintances, whatever - <span style="font-style:italic;">that's</span> what comes out. People that know me and my background, and they jump right past respect and support to a triggering stereotype. <br /><br />And I'm not saying that any of these people are actually <span style="font-style:italic;">racist</span>. I don't think they even know what they're saying, really (or how I take it). Some probably mean something entirely different by it. But it just sums it all up for me. No matter the intentions, or how much we talk about it, the racist power of the media and popular culture wins most of the time. I can't be "on" all the time. <br /><br />This is the thing, too - if folks took two seconds to think about it, they would never say this to me. I'm mixed, Chinese/white. My dad is white. My mom is Chinese. I constantly fret about that being the vast majority of interracial Asian/white couples: white male, Asian female. I battle against the "Asian fetish." I don't fully believe that all of those relationships are based on love and not an objectifying, disempowering racial stereotype. So why the Hell would I head to China - where the power dynamic between me and the women would be even <span style="font-style:italic;">more</span> lop-sided - and be a participant in <span style="font-style:italic;">exactly</span> what I loathe most in American society? <br /><br />And sure - some of it is based on the assumption that I want to marry a Chinese woman, period. The unfortunate stereotypes associated with "Chinese brides" being coincidental to the assumption that that would be a way for me to connect to my identity, or satisfy my dead grandparents, or something like that. But again - those who know me should know that I'm not stupid enough to work that way. A Chinese romantic interest isn't going to make me any more Chinese than I already am. It also annoys me that the assumption is that - since I'm half-Chinese - I must need a Chinese lover to make me whole. Doesn't really work like that.<br /><br />For those who think I'm "overreacting" and/or "misunderstanding" - that's exactly the point. Again - race doesn't happen in a one-time-only vacuum. If all these other bits and pieces hadn't been piling on for the last two decades, I wouldn't be "so damn touchy" about all this. But they <span style="font-style:italic;">have</span>. And I <span style="font-style:italic;">am</span>. And I have every right in having those reactions. In fact, it would be kind of amazing (or maybe sad) if I <span style="font-style:italic;">didn't</span>. <br /><br />So think of this as just one more lesson about the power of race in this country. How it all piles on. How one stupid, "joking" comment can just blow things up. Yeah - I can take a joke. And I can also work from experience. If only one or two or even three people said it, I could "relax" and just "take a joke." But when it becomes an over-arching theme? <br /><br />Right. <br /><br />And don't even get me <span style="font-style:italic;">started</span> on the lady whose only reaction was to keep telling me, "You don't even <span style="font-style:italic;">look</span> Chinese!"<br /><br />And now that I've written all this? How mentally-twisted would I be if I ended up falling in love in China . . . Thanks, media-influenced racial stereotypes. <br /><br />Aiyaaa. Can we ever win?<br /><br /><br />* I should note here that the image with this post is a painting by Chi Tung Chiang. I don't actually know him at all, but I wanted to give him credit, and if you are interested in seeing more of his work, go to: <a href="http://www.chipainting.com/">www.chipainting.com</a><br /><br />** If you don't know what that is, read my reference to <a href="http://choptensils.blogspot.com/2008/09/on-race-and-competitive-sports.html">PRIMING</a>, then go to this website: <a href="https://implicit.harvard.edu/implicit/backgroundinformation.html">https://implicit.harvard.edu/implicit/backgroundinformation.html</a>. I highly recommend you check out the tests - you'll learn a lot about your thoughts in a short time.Unknownnoreply@blogger.com6tag:blogger.com,1999:blog-3733547565614327236.post-90463050647806653172009-07-05T20:37:00.000-07:002009-07-05T21:50:22.467-07:00On Sex and Male Power, Part I<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_mUvHdNrU7AU/SlFynU-kRQI/AAAAAAAAA1k/qNUe9LU8clo/s1600-h/mt_rush.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 212px;" src="http://1.bp.blogspot.com/_mUvHdNrU7AU/SlFynU-kRQI/AAAAAAAAA1k/qNUe9LU8clo/s320/mt_rush.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5355187451891827970" /></a><br /><br />I suppose I could have used a more titillating image to go with this piece. But if I had - wouldn't I just be playing the same game that I'm about to challenge? As a male, would using an image of female subjugation to draw attention to injustice be anything but exploitive? <br /><br />I don't know. Mt. Rushmore may not be sexy, but it gets part of the point across, and it does so without blurring boundaries.<br /><br />Because that's what this post is about: the blurred line between "consensual" sex and male dominance in U.S. society. A big jump-off from my usual line of questioning, but one that is late in coming. I should have written this a long time ago, but I think I only recently have been able to touch on it effectively. <br /><br />So here goes:<br /><br />I start with a premise that few would deny - we (U.S. citizens) live in a patriarchy. In this society, males dominate. Males dominate positions of political power. Men make more money for doing the same jobs that women do. Men dominate the media - making it so that women in the media are often objectified and sexualized; even those bringing us the "news." <br /><br />I don't think I have to go into any more depth there. That's all patently obvious. <br /><br />Level Two:<br /><br />Due to the level of male dominance in our society (and <span style="font-style:italic;">especially</span> in the popular media), all things being equal - things are <span style="font-style:italic;">not</span> equal between men and women. From birth, girls in this country are inundated with messages about their "roles" as females - generally about the need for being "attractive" (and how to do so), the need to be submissive (to some degree) to male desires. <br /><br />Yes, men are also told their roles throughout life. And most men don't actually fit within those roles. However, there is a much larger pressure on women to focus on how they look, how they present themselves, and how they put in the effort to gain male attention - in all contexts, including "professional" areas where those ideas should seem irrelevant. <br /><br />Level Three:<br /><br />I am now going to focus on a sub-set of male-female relations in this society: heterosexual sexual relationships. Because it is within this realm that I believe the media plays the most direct role,* and it also happens to be within my realm of experience.<br /><br />So, recently, I've had some discussions with friends (one in particular) about whether or not it's possible for sex to be "just sex" between men and women in our society. More specifically, we've discussed the man's responsibility in those situations. To start, we'll go with the "random hook-up" scenario.<br /><br />So a female (call her "F") and a male (call him "M") are at the club (or the bar, or wherever), and they're doing their thing. Having drinks, talking with friends, looking around at those of the opposite sex around them. At some point, F and M see each other, and they're intrigued. They come together, maybe dance a bit, do some groping - they get excited. A while later, they're at F's house, having sex. Numbers are exchanged, nobody makes a further call. End of story.<br /><br />In this scenario, let's say that all F wanted was sex. She felt the need, she went out and did something about it. Nothing wrong with that. M was doing the same thing. Totally mutual. Totally consensual. Totally equal. Right?<br /><br />Well . . . the problem is this: we've got that whole "Madonna/Whore" thing going in our society. I.e. a woman that is fully comfortable with her sexuality and demonstrates that is a whore, while a woman who is not and does not is of virginal purity. There is no in-between. And I know the minds of men, and I'd say that that belief falls out far too often (among women, too, although more submerged). <br /><br />So men want to <span style="font-style:italic;">date</span> and <span style="font-style:italic;">love</span> the Madonnas, and they want to use and cast away the Whores. The problem being, of course, that there is no true dichotomy like this, so women run a constant risk of being cast as the Whore in men's minds - which often precludes an opportunity of further connection and a true relationship (because men close that door when their judgment comes down). <br /><br />So we go back to F and M and their "consensual" sex. If F really only wanted sex, then she's okay - as long as she doesn't mind the possible judgment that will come from M (and/or his friends or whomever) about it all. But what if she finds, somewhere along the line, that she is actually attracted to M on a <span style="font-style:italic;">different</span> level? What if she decides, sometime during the rise to sex or afterwards - that she would like to get to know M? <br /><br />Well - then she's in trouble. Because our society has pounded into M's brain that F must be a slut because of her willingness to have sex (or engage in sexual acts) right off the bat. Even though he did the same thing and gets off un-judged. So he decides that F is decidedly un-dateable and won't give it a further thought. Because, if she's a "slut," then she must be more likely to cheat, less likely to commit, less intelligent, less "worthy." All a bunch of BS, of course, but the truth seldom does people any good when ingrained bias rears its head. <br /><br />On the flip side - M can roll both ways. If he just wanted sex - he just got it. However, if he wants more, he can go for it - still with no guarantees, but without being cast as "undateable" simply because he was willing to have sex. <br /><br />And that's the man's power in this situation. His power is that he gets to cast a judgment with the weight of society behind it. He gets to have a one-night stand without losing anything, while the woman makes a choice (conscious or otherwise) to give up a further opportunity by having that one-night stand. <br /><br />Okay - so there are a lot of questions and arguments against what I'm saying here. But the guy could want more and get rejected, too, right? If the woman just wants to have sex and the guy wants more, then doesn't <span style="font-style:italic;">she</span> have all the power? <br /><br />Sure, to answer the first question. But that doesn't change the inequality of the <span style="font-style:italic;">overall</span> situation. A black man can be a white man's boss, but that doesn't mean that the black man isn't oppressed by overall institutional racism. Same here. A woman can have more power <span style="font-style:italic;">in a given situation</span>, but that doesn't <span style="font-style:italic;">empower</span> her on a societal level. I often hear women talk about "taking back power" over their sexuality - and I'm all for it - but you can't do that operating within a vacuum. Part of that must come knowing that there is a sacrifice to doing so. Hopefully at less cost than the benefits, but a sacrifice comes. One that a man never really has to make. <br /><br />As for the second question, what I just said applies, and so I disagree. The woman doesn't have all the power because she has to make that choice, <span style="font-style:italic;">before</span> sexual contact has occurred. The choice between doing what you want in the moment, at the possible cost of a loss of further connection, versus holding back on immediate desires, so that future options are available. And going with the latter still guarantees nothing, possibly making things worse if all the guy wants is sex in the first place. A lot of possibility of disappointment here (and I'm not even talking about the fact that most guys are terrible lovers). <br /><br />Finally, Level Four:<br /><br />I've tried to lay this out as concisely as possible, but it's a deep dilemma - one not easy to explain. But I think we've finally gotten to the point where I can write about the man's role in all this. Right now, I'll just use myself as the example.<br /><br />So - say I'm in M's place in the previous scenario. I think F is sexy, and I want to do something about it. She says she wants to do something about it. We're agreed. So shouldn't we just do something about it? <br /><br />The problem is - I've already thought through everything I wrote above (and so much more). I know I have the power here. I know that there's a risk that F might not actually want "just sex" - that she may want something more and feel that that's a way to get that. I also know that - having the power - I'm in a position to have F feel used when all is said and done. I also know that maybe F really does just want sex, and has no interest in more - which maybe I have interest in. I know that - maybe - F is making a conscious choice to forgo further opportunities <span style="font-style:italic;">by</span> choosing to have sex. <br /><br />Okay. Okay. So there are a lot of possibilities. Some end with "no harm, no foul." We fulfill basic needs, we part ways, both none the worse for wear. But a number end with negatives: maybe she'll feel used; maybe she's doing something she doesn't really want to try to get more; maybe I'll end up wanting more, and she's already eliminated that option - so <span style="font-style:italic;">I'll</span> get hurt; maybe I just have flat societal power over her, and that just doesn't feel good, no matter <span style="font-style:italic;">what</span> she actually wants. <br /><br />So, in my position, with all the possible negatives that can come from this, how can I go through with it? How can I feel okay about possibly using a woman? How can I feel okay in a situation where I might be abusing my societal power?<br /><br />My personal answer? I can't. So I don't put myself in those situations. I will make sure women feel wholly <span style="font-style:italic;">safe</span> with me (something that takes real <span style="font-style:italic;">time</span> - not a night, not even a few days), so that they can make an honest choice for themselves, without the pressure of patriarchy influencing it. <br /><br />On a more general level, I just ask men to be aware of their power. And the devastating effects it can have (not that it always does, but <span style="font-style:italic;">can have</span>) on another human being. To be aware that, in our society, sex is <span style="font-style:italic;">not</span> "just sex." There is history and pressure and injustice and inequality behind it. To be aware of that - and to make subsequent decisions with that awareness in full view. You all might not make the same choices that I do - maybe mine aren't the right ones - but awareness never hurt anybody.<br /><br />As for the women? Bring that same awareness. Make your choices for <span style="font-style:italic;">you</span> - knowing that - most often - the men aren't going to bring that awareness. Know what you want - and go for it. I'm in no position to be giving any other advice on this one - since you are all the experts, and I'm just working on suppositions.<br /><br />There is so much more to be said and written on this topic. I know I've left glaring holes and haven't made myself fully clear. But this part of the fight needs to be mentioned - by me, in this space - and waiting to say it "just right" likely means that it won't be said at all. <br /><br />When it comes to gender and sexuality - I'm the oppressor. I'm the privileged one, here. I don't have many answers. I'm starting to find the right questions. And I hope all you experts out there (women, LGBT) wouldn't mind helping me out on this one. <br /><br />I'm out of my element here. And that's where the learning happens.Unknownnoreply@blogger.com13tag:blogger.com,1999:blog-3733547565614327236.post-2725169432757407112009-06-29T10:10:00.000-07:002009-06-29T11:09:46.736-07:00Don't Expect Us to Thank You<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_mUvHdNrU7AU/Skj2KdVw4DI/AAAAAAAAA1c/SnKb59eYraU/s1600-h/freedom-writers-01052006.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="http://4.bp.blogspot.com/_mUvHdNrU7AU/Skj2KdVw4DI/AAAAAAAAA1c/SnKb59eYraU/s320/freedom-writers-01052006.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5352798816664870962" /></a><br /><br />So I just got back from a one-week training for the arts camp I work at during the summer. The camp is for more or less the same kids I teach (same background - poverty, abuse, etc.), so we do some heavy training for staff to help them best serve our kids (at this point, I am involved in leading some of that training). <br /><br />Each year, as part of this training, we have a discussion about "difference" (usually focusing on race and ethnicity, but not tied to that alone) with new staff.* This is an opportunity for these folks to have a real conversation about their experiences of race (with some guidance and facilitation, of course) to better understand where everyone is coming from. It's also a chance for our staff to become a little more comfortable with this conversation, as it is one that very much affects the kids we work with (whether they are kids of color or otherwise). <br /><br />And I always love it. Just watching people get real and say what they've always <span style="font-style:italic;">actually</span> thought, but in a respectful way. People really listening to each other, whether or not they fully understand or agree with each other. <br /><br />We started at 7pm and just kept it going until 1am - because it needed to go that long. And now, because we gave it that time, it can keep going - which is the whole point (because even 6 hours of conversation doesn't even skim the surface).<br /><br />And, this year, we got to a point where some of the white youth workers got hung up: the lack of appreciation they get for the work they put in with youth of color. As best as I can summarize it, it goes like this:<br /><br />People of color, in general, have a lot of assumptions about white folks and their level of being able to <span style="font-style:italic;">be</span> allies, and their true willingness to do so (as well as their intentions <span style="font-style:italic;">behind</span> doing so). We assume that white youth workers don't get the kids, aren't willing to put in the work, and aren't as able to successfully work with kids of color as an adult of color might be able to. <br /><br />Okay - a lot of assumptions. Not always there, but I would agree that they are there pretty often.<br /><br />So the issue was for these white youth workers who <span style="font-style:italic;">have</span> done the work. Their experience was that they have busted their asses for kids of color, only to watch the kids' parents dismiss them as "rich white men/ladies" even though they had crappier cars than the parents. They worked their asses off in schools, at camps, in any number of ways for kids of color - and yet they still run into social workers of color who dismiss their level of competency or caring. <br /><br />And it <span style="font-style:italic;">chafes</span>. It frustrates. It even leads to some resentment and bitterness aimed at the very families and people of color that they are trying to <span style="font-style:italic;">help</span>. <br /><br />"I'm putting in the work, so why can't they see that!?? Why can't they appreciate that!??"<br /><br />All <span style="font-style:italic;">very</span> valid frustrations. Totally understandable. Unfair, even. <br /><br />And yet.<br /><br />And yet, my response is: don't expect us (people of color) to thank you. Because we shouldn't have to. <br /><br />Let me be clear here: when I mentioned the kids I serve at the beginning of this post, I very intentionally made no reference to race. And yet - I bet the majority of readers assumed that "the kids we serve" are largely kids of color. It's inherent in the work I do that it involves working with racial and ethnic minorities. And yet - 50% (or more) of our kids are white. With many of the same family and social issues as the kids of color. <br /><br />But that often gets left out of the picture. Because, in youth (and social work), there's this unstated sense that the kids you work with don't <span style="font-style:italic;">really</span> need help unless they are kids of color. That the "roughest" kids are kids of color. That "urban" youth are kids of color. It's like a youth worker badge of honor to talk about all the black kids, or Latino kids, or brown kids they work with. It shows that they are a "real" youth worker. That they're doing the "hard" work. <br /><br />The implications behind that? That people of color can't help themselves. That people of color are helpless victims. That they are exactly as the media says they are: lazy, criminals, drug abusers, and unable to take care of their own children. <br /><br />And this frustration with a lack of acknowledgement for their work by white youth workers plays into all of that. I don't hear these youth workers sighing, "why don't the white parents thank me for working with their kids?" When race is mentioned in that context, it's the parents of color - or else it's just "all parents." There is the implication that these white youth workers are "helping" the kids of color <span style="font-style:italic;">in spite of</span> the adults of color in their community. That it's the <span style="font-style:italic;">white</span> folks who are better able to supply that support - so "why can't they appreciate that!?" <br /><br />More importantly, this line of thinking is completely counter-productive in terms of what <span style="font-style:italic;">should</span> be the mission of these workers: to help redress wrongs; to help empower kids born with less systemic power; no matter their background (racially, or otherwise). Because that mission is simple - it's just doing the right thing. And so - if that's all this work is really about, why should anybody be thanking you for doing it?<br /><br />When did this world get so fucked up that we get frustrated when we're not applauded for <span style="font-style:italic;">doing the right thing</span>?! When did things get so flipped that we want to quit because the <span style="font-style:italic;">kids</span> we're working with don't validate us? When did it become okay for us to resent a group of people for their ingrained distrust of a system that we are actively working to change because <span style="font-style:italic;">we don't believe in it</span>!??<br /><br />Folks of color in this country do not get to opt out. It's not an option to quit dealing with race, or to quit battling the system. It's not an option. They are in it for life. So maybe one year, or two, or even ten years of working side-by-side with us isn't enough for us to fully trust that you're not going to quit on us. Because we've watched so many before you come in with fire and passion, only to get frustrated and quit a few years later (often blaming <span style="font-style:italic;">us</span> for the difficulty). <br /><br />That frustration you feel when things aren't changing, and we're not giving you medals of honor for being in the fight with us? Just a taste of a lifetime of disappointment. Just a taste of the permanent frustration of watching young, idealistic, white social guerillas bail out a couple years in when they start running out of money or get beat down by the impossibility of the situation. From watching the government "apologize" for stealing Native land without reparations. For "apologizing" for slavery without actively doing anything about it. For being the "land of the free" while we target Mexican immigrants and Arabs. Knowing that we're not so far removed from the government passing laws to specifically exclude rights to people of color.<br /><br />Nobody thanks me for working with white kids. Nobody thanks me for always having white bosses. Nobody thanks me for living in the U.S. as a person of color and not giving up. <br /><br />And I'm not so naive as to think anybody should - or would. I would never expect it. Sure - it would be nice. And validation to some degree is important. But I still continue to do what I do in spite of all that. <br /><br />So here's my final message to white youth workers: don't <span style="font-style:italic;">expect</span> us to thank you. Don't condemn us and judge us and blame us for the difficulties of changing the system, and then expect us to excuse you of your white privilege or to trust your intentions. If you're doing the right thing, then be satisfied with that - and don't have us doubt that you really are by demanding accolades for it. <br /><br />Join us in the trenches. Work with us, side by side. Better your understanding. Feel how f-ing <span style="font-style:italic;">hard</span> it is. And don't you <span style="font-style:italic;">ever</span> quit on us. Don't you <span style="font-style:italic;">ever</span> give up on the fight to do the right thing. And realize that we don't have that choice.<br /><br />And you will receive our respect. And our trust. Maybe. <br /><br />But we've been burned before. We've seen a million people just like you come and go. Maybe it will take ten years for us to believe you won't enact your privilege and quit on us. Maybe twenty. Maybe a whole lifetime. We've been burned so many times before - by people that looked and acted and spoke <span style="font-style:italic;">just</span> like you. <br /><br />So don't expect us to thank you. Ever. It might happen. It might not. It's not your right. We don't expect you to thank <span style="font-style:italic;">us</span> for working with <span style="font-style:italic;">you</span>, do we? No. So don't demand the reverse. <br /><br />Finally, though - to any white youth workers that made it through this whole post: thank you for reading. Now - go do something with it.<br /><br />* For more information on the diversity of the staff, read my post from last year, "<a href="http://choptensils.blogspot.com/2008/08/on-real-diversity.html">On Real Diversity</a>."Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3733547565614327236.post-6110218915265094002009-06-19T12:43:00.000-07:002009-06-19T13:13:21.451-07:00No Goodbyes<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_mUvHdNrU7AU/SjvrNrx0jdI/AAAAAAAAA1M/Bo-mq8mnDcI/s1600-h/r228030_907070.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 207px;" src="http://4.bp.blogspot.com/_mUvHdNrU7AU/SjvrNrx0jdI/AAAAAAAAA1M/Bo-mq8mnDcI/s320/r228030_907070.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5349127602755112402" /></a><br /><br />It's been a full few weeks. Wrapping up the school year. 8th grade promotion. Getting ready for my summer job. And leaving this job behind. <br /><br />This week has been my "close-out" week, meaning: no kids (more or less, I've actually spent some kid time this week, but no classes). It's just adults cleaning up and organizing our classrooms, closing out student files, running inventory, and preparing our spaces for next school year.<br /><br />Of course, for me - there is no "next school year." I'm out. Going to China in the Fall, and so I'm not part of this school's future plan. Which is all sorts of crazy.<br /><br />And so the process has been a slow one for me. I should have been finished yesterday - but it's going to be a push to even be finished by the end of today. So I'm alone in the school, packing up my things, saving the taking-down of kid artwork from my walls for last . . .<br /><br />And, in the end, it's perfect. Because this job has been all about loose ends and a lack of closure. Kid after kid comes in here, becomes part of my life (and I their's), and we form a relationship. Then - suddenly - they just disappear. <br /><br />Maybe their family moved to try to get work. Maybe they can't afford to live in town, anymore. Maybe the parents shipped them out to another family member in a different state. Maybe Mom is back, or relapsing, and she drags the kid back down, and they stop showing up. Maybe it's got to do with gang activity. Who knows? <br /><br />It's literally - one day, the kid is smiling and talking about how they are "finally getting it," and then the next day they're just gone. No goodbye. No warning. Nothing. <br /><br />And I've learned to get used to that. And so it only seems reasonable that that's how I'm going out (in some respects). <br /><br />For my goodbye present from my co-workers, I got a piece of artwork (framed) from one of my kids (one who I - obviously - had a close relationship with). It just so happens that he's the same kid that got in a fight outside during our 8th grade promotion ceremony. So - the last time I saw him? As I watched him walk away from our school, pissed off about the fight. No goodbye. Not even close.<br /><br />The last thing I said to another kid (a girl who never fails to crack me up) was telling her she couldn't come back the next day (because I had just broken up a fight with her and another student). That's how our kids go out. No goodbyes.<br /><br />They knew I was leaving the last two weeks of school, of course - so I <span style="font-style:italic;">did </span> get to close with a number of kids, but it's the loose ends that stand out right now.<br /><br />Other staff members? I'm not leaving until September (from Portland), so I've left them with the "I'll see you before I leave for real" knowing it's not true. Maybe I learned that from the kids. Maybe they have taught me that goodbyes are over-rated. People leave. People walk out of our lives. We move on.<br /><br />Because - for the kids I work with - that's just how it is. And making a big deal out of every loose end is a good way to go crazy. And - let's be honest - we <span style="font-style:italic;">do </span> move on. Every time. Nobody has such an impact on our lives that we literally can't survive without them.<br /><br />And so I take another lesson from the kids. I'll clean out my room, lock the door, and just turn my back and walk away. No awkward September visit. No lingering. Clean cut. Turn. Walk. <br /><br />Because where I work - there are no goodbyes. We move on.<br /><br />And so - for now, at least - I'm not a teacher, anymore.<br /><br />And that's that.Unknownnoreply@blogger.com6tag:blogger.com,1999:blog-3733547565614327236.post-8506321296925265802009-05-27T18:49:00.000-07:002009-05-27T19:43:15.208-07:00I Love Kids<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_mUvHdNrU7AU/Sh3xrlz27tI/AAAAAAAAA1E/6LrEBNH0sfY/s1600-h/kid_laughing1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_mUvHdNrU7AU/Sh3xrlz27tI/AAAAAAAAA1E/6LrEBNH0sfY/s320/kid_laughing1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5340690464317566674" /></a><br /><br />My posts are way too often tinged with negativity and semi-whininess. So I thought it's about time I post another celebration.<br /><br />So today at work, I was really bored. I mean, <span style="font-style:italic;">really</span> bored. And that's not something that happens so often when you're a middle school teacher. Some years - it never happens at all. <br /><br />The reason was that the kids were doing testing (their final round of standardized math testing), so all I got to do today was sit around and watch them test. No teaching. Not a lot of interaction. So little going on, I ended up completing about a million kid word searches that I had on hand (for the kids, of course). <br /><br />Of course, testing isn't <span style="font-style:italic;">always</span> boring. But my kids have a good thing going these days, and that's their pride. They honestly believe that they can do these tests, they take them seriously, and so they are willing to focus for them. That's not something that happened my first years at the helm, but I've got it going, now. <br /><br />And it's kind of a problem. Because, when they're totally focused like that - I don't know what to do with myself. I just watch the clock and look forward to "later" coming. Because I didn't choose to teach to sit around and watch kids work silently. Not me. <br /><br />I chose to teach because I love <span style="font-style:italic;">interacting</span> with kids. I mean - f-ing <span style="font-style:italic;">love</span> it. <br /><br />And I was thinking about that today (because I had a lot of time to think). Why is it that I love being around kids so much? Especially these <span style="font-style:italic;">middle school</span> kids who so many other folks can't handle? <br /><br />I thought it through: well, there's their energy. They bring so much energy, I can't help but get a little bit infected by it. They also like to play around - and in such a better way than most adults do - so I get a big kick out of that. In fact, I have my kids calling me out from time to time because I "play too much" (sometimes, I'm actually the one who breaks their long, focused silences because I need to joke around). They're so very unpredictable and ridiculous - and I've never been one to enjoy the comforts of routine or outright predictability. <br /><br />All good reasons to like hanging around kids. But not enough, really, to <span style="font-style:italic;">love</span> them, right? <br /><br />And then I got it: I love kids because they are the one sub-set of human beings with whom I can just flat-out get over myself. I don't take anything personally with them. They can insult me or try to be "mean," and I just find it amusing. They can do the most irritating things in the world, and I crack up because it's so ridiculous. They say something ignorant about race, and I just shrug it off and use it as an opportunity to do some <span style="font-style:italic;">real</span> teaching. I don't get all caught up in my own world with them. I can just accept them for who they are - and love them for it. I can forgive them for their actions - because they're just <span style="font-style:italic;">kids</span>, and they're learning how to be people in the world. <br /><br />And that's not how it is with adults (as hard as I try to react that way). I can't forgive adults so easily. Whereas I don't trust adults to just tell me the mildly painful truths instead of trying to sugarcoat things - kids will just <span style="font-style:italic;">say</span> it. They don't make things more painful by throwing white lies around. They're devastatingly honest (at times), and I love them for that, as well. <br /><br />And just as I am able to forget myself and just <span style="font-style:italic;">be</span> with kids, I can also get over their self-centered natures. Because they <span style="font-style:italic;">are</span> kids - and kids <span style="font-style:italic;">should</span> be the center of their own worlds. A kid <span style="font-style:italic;">shouldn't</span> care about what's going on in my real world. A kid doesn't need to ask sincere questions - because I should be doing all that with them.<br /><br />Adults? Yeah, right. Human adults are the most disappointing creatures. So few are any different than those kids in their self-centeredness, in spite of their supposed "maturity." And since they are adults - they just disappoint. <br /><br />Kids are <span style="font-style:italic;">supposed</span> to be ignorant - they really <span style="font-style:italic;">don't</span> know any better, and so they give me hope. Because they can learn, and change, and improve in how they are in the world. Adults? Too caught up in their own pasts and fears and insecurities to make the right decisions or really <span style="font-style:italic;">change</span>. <br /><br />And I wish I was perfect enough to feel otherwise. I wish I could just love all these grown-up kids without judgment like I do with the younger versions - but I can't. Sometimes, I can do a pretty good job of it. But too often I'm unable to pull myself out of the picture and just let things be. To not get caught up in my own world and wholeheartedly explore and enjoy theirs. I just end up disappointed too often.<br /><br />But with the kids? Never. They never disappoint me - and all too often they make me proud. They constantly surprise me and make me laugh harder than I thought possible. They bring out my very best, consistently. When I'm not in the best mood, they snap me out of it quick. When I'm <span style="font-style:italic;">in</span> the best mood, they come join me. Just watching kids do random little things - like talk to themselves, or laugh at something that isn't funny at all, or get all excited about a gift or new toy - just gives me the biggest grin. What can I say?<br /><br />It's the kids. <br /><br />I'm about to take some time off from teaching, but there's no way in Hell it's going to last too long. Make my trip - learn and see what I need to learn and see. Then get my ass back with the kids the next moment. That's the only guarantee I have for my future. And that's - honestly - all that really matters, in the long run. <br /><br />So I dedicate my upcoming trip and all the things I do to the kids. Because.<br /><br />I just love kids.Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3733547565614327236.post-48879372059621216072009-05-19T17:21:00.000-07:002009-05-19T18:25:56.514-07:00On Leaving Portland: Thinking Like a Terrorist<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_mUvHdNrU7AU/ShNNy8Rh81I/AAAAAAAAA08/NCwTuzlhwss/s1600-h/terrorist.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 265px; height: 320px;" src="http://2.bp.blogspot.com/_mUvHdNrU7AU/ShNNy8Rh81I/AAAAAAAAA08/NCwTuzlhwss/s320/terrorist.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5337695520932623186" /></a><br /><br />So let's just drop the disclaimer before I get started: by no means do I condone any "terrorist" actions.* Never will I believe that violence against anybody (including other people's military) is going to accomplish "good." Especially violence against people that have nothing to do with a perceived problem (or threat). <br /><br />So why would I write that on my post? Allow me to explain:<br /><br />I'm leaving Portland soon. It's official. My position is open at school, and we've brought a number of folks in to interview. I've started talking to my cousin about heading to China in the Fall, and I'm getting ready to renew my passport and do all the visa stuff. And, as school starts winding down towards the end, I find the reality of this life-change starting to hit me. <br /><br />I'm really going. Leaving a steady teaching job (that I like) right in the middle of the worst time in the world for a teacher needing work. What am I thinking!? And what am I going to do when I come back to the States?<br /><br />The answer right now is: I have no idea. I will certainly end up working with kids. But where or in what capacity, I know nothing. <br /><br />Because this is my big opportunity to leave Portland for good. Lord knows I've fought the lack of sunlight and melanin in the people around me for long enough. I've been bitter, and frustrated, and have felt more isolated than ever should be necessary. I could move to a place where folks actually look like me, and where the "liberal" champions of "diversity" aren't all white, and they actually know people of color on a personal level. I've dreamed about it.<br /><br />And yet.<br /><br />And yet - I'm not 100% set on that. Because this is the thing: Portland is ripe for some heavy impact on a social front. Its appalling lack of people of color (and/or understanding of race) demands a presence and some acknowledgment. Because there are so few of us around to speak our minds and do some educating, each one of us is all the more important for that kind of work here. So when we bow out and leave - it's even more important that somebody else steps in to fill the void. <br /><br />At school - our kids <span style="font-style:italic;">need</span> conscious teachers of color so badly. There are so many bad teachers out there (not for lack of trying - but for lack of understanding) that it fatigues my mind. And I'm not saying I'm the greatest teacher in the world, but at least I'm aware of social dynamics and how race and culture play out in the classroom.<br /><br />So when I think about that question of "what next," I find myself in a sort of "terrorist" frame of mind. Specifically - where can I do the most damage (and by "doing damage," I mean "have the most impact/effect")? It seems to me that I can have more of an impact here in Portland, simply <span style="font-style:italic;">because</span> there are so few other people of color - especially those doing the kind of work I do. If I was in the Bay, I'd just be one more drop in the lake (it's definitely still not an ocean, even in relation to Portland). <br /><br />For example - here I could chair the Asian Youth Conference and really guide the vision and direction. In the Bay? Maybe I could get involved in facilitating somebody else's workshop. At the organization I presently teach for, I have made my voice heard, and can very easily see myself being able to have a little clout in the not-so-distant future (perhaps guiding my superiors towards a more-diverse staff and culture). In the Bay? I'd be starting back from scratch, and with bigger organizations that would be less likely to listen. <br /><br />When I speak as a male of color to my kids, I speak as one of a very few outside of their own families. In that capacity, I fill a gap that is needed more in Portland than in the Bay.<br /><br />So - in my mission to disassemble (and then re-build) the current broken education system (especially in relation to racial inequality), where can I hit hardest? Where can I maximize the impact of my efforts? <br /><br />Two questions that are likely high on a terrorist cell's list. <br /><br />Because those who have to call upon terrorist actions are desperate. They are in a position of having dramatically less resources and power than those they are battling. They are pushed to extreme action because the fight is so uneven - they cannot win a "straightforward" battle, and so they turn to other means to try to overcome. Ultimately, most terrorists know they will never actually win the ideological war they are engaged in. <br /><br />No surprise those labeled "terrorists" are usually people of color. They are fighting systems and ways of thought - and they are on the desperate side because the systems and ways of thought with the most dominance and power are the ones led by the white people of the world. <br /><br />And so I find myself mirroring this thought-process. Where can I strike the strongest blow for systemic change? In an unwinnable, frustrating situation, where am I most able to find the symbolic victories that can keep me going? In most ways, the answer seems to be: in the whitest large city in the United States. <br /><br />But there's another big question that desperation calls for, and that is: what am I willing to sacrifice? What am I willing to give up to try to make this bigger impact? <br /><br />And that answer is less clear. Because I don't believe in martyrdom. When terrorists blow themselves up, they enact no lasting change (except hurting the wrong people), and then they can give no more to their cause. Similarly, sacrificing my own mental health and well-being is <span style="font-style:italic;">not</span> worth it to me. That kind of sacrifice results in lowering the quality of work, and more or less prematurely taking yourself out of the game. <br /><br />And so I don't feel like carrying the Portland burden. I'm <span style="font-style:italic;">done</span> with being the "only one." I'm tired of trying to explain to white people what it's like to <span style="font-style:italic;">never</span> be in the majority. <br /><br />But there <span style="font-style:italic;">are</span> ways around that. I have been - slowly but surely - building a community of color around me. I have plugged myself into situations that allow me to be surrounded by folks of color (the conference a prime example). I have been pulling folks of color into the organizations I work for, and have stumped hard for more recruitment and work on that end by my superiors. So there <span style="font-style:italic;">are</span> ways to improve on that particular situation. <br /><br />But, in the end, I don't really know how much difference I'm making, anyway. All of the reasons to stay in Portland are based on the assumption that I've actually been bringing about positive change, and - to be honest - I haven't really seen a lot of proof of that. The conference has been going strong the last 16 years before me. The high school counterpart to my own school still has an appalling lack of diversity of staff. I still have never had a person of color as my hierarchal superior in any work capacity here (and I'm talking many different organizations, and a lot of different levels of "hierarchal superiors" possible). The kids' lives are the kids' lives, and I certainly haven't eased any of their burdens. <br /><br />And that's when I find myself empathizing most with the desperation of a "terrorist" - that thought that nothing I can do can be enough to fight back against the absolutely <span style="font-style:italic;">humongous</span> powers working against my ideals. Of course, my reaction to that desperation is the difference here - because my "lashing out" is verbal or written (in this blog, in my lyrics) as opposed to physically violent in nature. And yet . . .<br /><br />I remain undecided. Which is fine, since my trip to China is likely to drastically alter my mind-set and options, anyway. But I still find myself weighing and thinking about my real priorities and what I am really capable of accomplishing. Only time will tell.<br /><br />Until then, I will continue to examine my options through the perspective of a non-violent, youth-working "freedom fighter;" with a healthy dose of self-doubt on the side. And maybe - just maybe - that will be enough to actually accomplish something. <br /><br />*And yes, I am fully aware that I likely just submitted my application for my very own "Homeland Security" wiretap simply by writing this post.Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-3733547565614327236.post-11904324660473832742009-05-16T12:03:00.001-07:002009-05-16T12:07:59.785-07:00Gentrification, Personified<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRQoLScxm4X5pHqaDfaXbZWUr-zjarer4bsAQZHjvnvvqozrekpbI3cxEhneexYPSBUvt_pmNzTZXw0yeTr5ekfoud_l0qkqft640cffx64j2eG1cWfJ-II87b7a99BHx8tXxrpZo_UXbj/s1600-h/SF_lastthurs_rf4.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRQoLScxm4X5pHqaDfaXbZWUr-zjarer4bsAQZHjvnvvqozrekpbI3cxEhneexYPSBUvt_pmNzTZXw0yeTr5ekfoud_l0qkqft640cffx64j2eG1cWfJ-II87b7a99BHx8tXxrpZo_UXbj/s320/SF_lastthurs_rf4.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5336499510971395378" /></a><br /><br />Look at the image above and play "Count the People of Color." I found two. <br /><br />I found this little blurb about Alberta Street, here in Portland. This street is pretty much the living embodiment of gentrification in Portland, and a perfect example of the tension between the young incoming, middle-class white hipsters and those who lived here before (folks of color, with less money). If you don't see the irony and/or why this description fills me with disgust, you haven't been reading this blog very long:<br /><br /><blockquote>What was once a deteriorating and crime-ridden part of the city is now an epicenter of diversity, art and culture* in the Rose City. Trendy little art galleries, novelty stores and unique restaurants have replaced the boarded-up windows. Portlanders of all kinds come to this event. Held in September, it's a lively celebration complete with live music and dancing, food, kids' stuff and a free trolley that rolls right through the middle of everything. Come and see why Northeast Portland is quickly becoming the capital for culture in this town.</blockquote><br /><br />* Okay, so I have to comment - apparently, "diversity" means a bunch of white people with intentionally-ugly fashion sense and the six people of color who haven't gotten fully pushed out yet. "Culture" is, of course, the white kind.Unknownnoreply@blogger.com12tag:blogger.com,1999:blog-3733547565614327236.post-83113246265343793052009-05-14T20:34:00.000-07:002009-05-14T21:29:10.885-07:00On Handshakes<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_mUvHdNrU7AU/SgzjjtytGdI/AAAAAAAAA0s/8qToQFFdZaI/s1600-h/handshake.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 229px;" src="http://2.bp.blogspot.com/_mUvHdNrU7AU/SgzjjtytGdI/AAAAAAAAA0s/8qToQFFdZaI/s320/handshake.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5335889861254388178" /></a><br /><br />So I've got this hand coming at me. It's got white skin, attached to a man in a nice suit. This seems like a "professional" situation. I guess I should go for the "Firm-Grasp-and-Shake" with a smile and some eye contact. He responds in kind. Looks like I made the right choice - proceed to conversation.<br /><br />I've been lax on the writing lately. The conference is past. My brother is married. Interview processes have progressed past my involvement. Time for some "me" time. I've been meaning to catch up on the posts - have a lot of topics in mind. But, instead, here I am - thinking about handshakes. <br /><br />Why am I thinking about that? Because I just had an interesting day. It started at school, where I had a guest in one of my classes (a hip-hop/spoken word friendly acquaintance of mine). Then my friend who helps out in my Music Production class. Had my performance evaluation (the last one) with my boss, in which we talked about cultural competency issues at work. Then met some folks applying for the position I'm leaving behind. Ended with our big school Art Show (in conjunction with our high school) where I found myself mingling with my students, ex-students, parents, and colleagues from various other programs within my organization. And, in all of that, there were a lot of handshakes. <br /><br />But - more importantly - there were a lot of different <span style="font-style:italic;">kinds</span> of handshakes. <br /><br />Now, for some people, there may be only a few kinds of handshakes - but not for me (and probably not for most people). Nope. For me, there are so many different handshakes in my repertoire, and they are all part of my code-switching toolkit.*<br /><br />So let's run through them, in order:<br /><br />So for my "friendly-acquaintance" (a black man), I went for the "Homie Hug." That's when you clasp hands for the pull-in into a sort of one-armed embrace (with your clasped hands between each other's chests). For me, it's a standard for when I run into men of color with whom I'm on good terms, but don't see consistently. <br /><br />Next, for my co-teaching friend (also a black man, also a hip-hop man), we've got the "Loose-Slide-and-Snap." This is when we're reaching like a handshake, but basically just slap a light sideways "five," then slide hands free, ending with a snap. With most folks, I usually end this with a sort of "hand-grasp," but he always does the snap. Maybe it's an LA thing. <br /><br />My boss is a white woman. No handshakes there. We're on too good terms for that (and see each other too much). But we don't hug, either. Just friendly smiles as I sit down in her office. <br /><br />For the incoming applicants, it's formal "Firm-Grasp-and-Shake" all the way. Both men (one black, one white). That's the "professional" thing to do. Period.<br /><br />With my students, if we bother hand-shaking, it's usually the "Loose-Slide-to-Grasp." Starts like the "Loose-Slide-and-Snap," but ends with a firm arm-wrestling-type grasp instead of the snap. That's for the guys, at least. With the girls, it's more awkward. Because you don't shake hands with the girls. But when they go for the hug, I'm always semi-uncomfortable, because I don't want to cross boundaries. But I don't want to push away, either. So I usually turn it into the "Quick-One-Armed-Side-Hug." Using that one arm to go around the shoulders, buddy-style, with little prolonged contact.**<br /><br />With the parents, it's usually the "Firm-Grasp-and-Shake," especially with the men. With women, I'll do the "Loose-Grasp" without the shake and toning down the eye contact. <br /><br />With colleagues, it's a smorgasbord. A lot of hugs with the women - the brotherly "Wide-Smile-and-Embrace" where I start with arms out wide with a smile in greeting, with a warm - but quick - around-the-shoulders embrace. A lot of "Loose-Slide-to-Grasps" for the gentlemen. But this is the category that's trickiest. Because sometimes I go for the "Loose-Slide-and-Grasp," but the other guy is going for the "Homie-Hug" or the "Firm-Grasp-and-Shake," and it just feels all <span style="font-style:italic;">wrong</span>. Or the women aren't looking for a hug, so we do an awkward "Pull-Back-from-Hug-to-Wave" which always looks ridiculous. Sometimes the "Loose-Slide-and-Grasp" ends with a "Homie Hug" or maybe a fist-pound. Maybe we waive all the handshakes and just go for a fist-pound. Or maybe it gets even more elaborate with a bunch of different handshakes rolled into one with a top-to-bottom fist-pound and then a knuckle-to-knuckle fist-pound as a clincher. Or something else, entirely.<br /><br />Generally, it's more the category of hand-shaker that determines which style I use, but race does factor in it. I'm definitely more likely to use the "Loose-Slide-to-Grasp" with other men of color. I don't know if I ever do the "Homie-Hug" with white guys. If I'm on a friendly level with men of color, I very seldom use the "Firm-Grasp-and-Shake," whereas I use it often with friendly-acquaintance white guys. Fist-pounds of all types are almost solely for men of color, except for a few hip-hop-related white acquaintances. <br /><br />Regarding the women, it doesn't seem to vary as much. If I know them well, hugs all around. If we're more on acquaintance level, I'm a little more likely to "Wide-Smile-and-Embrace" with white women than women of color, but not by a lot (I'm careful with my hugs). Mostly, it's situational. But I just don't shake hands (almost never) with women I know already. <br /><br />So - just like that - a whole post devoted to the different types of handshakes/greetings I used in <span style="font-style:italic;">one</span> day of my life. And, obviously, the thought-processes behind it all are rarely so conscious - it usually all happens split-second - but it's interesting to break down. Seems kind of crazy, on the surface, but it really does make a difference on a relationship level. If I just stuck to the "Firm-Grasp-and-Shake" all the time, it would honestly change my relationships to certain people, especially the perceptions upon first meetings. <br /><br />And that's kind of scary, when you really think about it. Because, if so much can go into a <span style="font-style:italic;">handshake</span>, with no words spoken, how much goes into how we <span style="font-style:italic;">speak</span> to each other, and what we say? How much can go wrong or be misinterpreted? <br /><br />It puts into perspective how much of a miracle it is that things go as well as they generally do in this world. When so much can go into a <span style="font-style:italic;">handshake</span> - a gesture of greeting and peace - what can go into a <span style="font-style:italic;">conversation</span>?<br /><br />Sometimes - too much. And that's where successful code-switching and cultural competency come to the fore. When you can have a whole repertoire of ways of interacting (conscious or otherwise) to put people at ease, and to keep yourself at ease around different people, it can make all the difference in the world. <br /><br />In fact - it does.<br /><br /><br />* I've talked about "code-switching" in the past. But - in short - it's the ability to adapt to different cultural ways of being on the fly to be comfortable - and make others comfortable - socially. <br /><br />** For a lot of reasons, I'm paranoid about wrong impressions and contact with students. A major reason is that many of them have had traumatic experiences in the past that make it difficult for them to know appropriate boundaries with adults (especially males), and I do all I can to help them learn and understand those boundaries (and to feel safe).Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-3733547565614327236.post-30134645676384998182009-05-06T18:15:00.000-07:002009-05-06T19:50:09.364-07:00On Hiring Practices<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_mUvHdNrU7AU/SgI2fDbKabI/AAAAAAAAA0k/O2_sC1Ek3Sk/s1600-h/AX055234.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="http://3.bp.blogspot.com/_mUvHdNrU7AU/SgI2fDbKabI/AAAAAAAAA0k/O2_sC1Ek3Sk/s320/AX055234.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5332884815883168178" /></a><br /><br />I'm not sure of the original intention of this photo, but it kind of hits the nail on the head. <br /><br />I was going to write a post on the "Swine Flu" (about how much B.S. it is, and how it's a great excuse for racist media to blame "disease" on folks south of the border), but I'm in the midst of some other things and wanted to write on it before it left my mind.<br /><br />**If you don't read this whole post in detail, please read the last couple sections prior to the endnotes**<br /><br />I've been part of a few hiring committees of late. One is for the next Program Director of the non-profit educational organization I work for (I asked in on this one). Another is for a summer camp I work for (part of my job description for this one). The last is for my school (some involvement in hiring my own replacement). <br /><br />And the first two have really hit me. <br /><br />So let's do this in order.* The initial screening committee for the Program Director was myself and five white women. And I wasn't even asked to be involved in this process - I had to ask the higher-ups personally to be a part of it. <br /><br />So I have to admit that every meeting weighed on my soul. It was so heavily culturally-biased, I felt like there was little I could do as the "token" minority with so little statistical pull. <br /><br />And then there were the applicants. Almost zero candidates of color. Probably zero candidates outside of the middle or upper class. Part of it is that this is a non-profit job that doesn't have the money to pay people. So folks that represent our kids can't afford to waste a college education (and loans) on working this job. Not to mention that most of the staff looks like the hiring committee (except me, of course), so why would a person of color want to carry that burden, anyway? <br /><br />So we're interviewing these folks, and I'm slipping into despair. How can we ever change these things when the odds are so stacked against that change? An interview with all these middle-class white ladies is only going to increase the chances of the success of another middle-class white female candidate. Because an interview is about confidence and comfort and communication. And if all the people around you have lived a totally different life experience than you - how can you feel confident that they'll give you a chance, or be comfortable in their midst, or communicate effectively? <br /><br />The other committee members commenting on how awkward certain folks seemed, while I'm back in my seat, feeling outnumbered and equally-awkward. <br /><br />So middle-class white ladies get hired and get more experience. They then apply more for the work. They are reflected in the staffing, so they are more drawn to working there . . . They get hired and get more experience. It's a deadly feedback-loop. <br /><br />And I'm not saying people weren't qualified - they were (more or less). But it's so damn frustrating to try to figure out how somebody that <span style="font-style:italic;">doesn't</span> fit that mold can break in without being so far above and beyond the rest. The amount of pressure and weight and frustration they would have to be willing to carry to even <span style="font-style:italic;">go through the process</span> is unbelievable. <br /><br />Because, being a person of color in an organization like this is an f-ing <span style="font-style:italic;">burden</span>. We're the ones who always have to speak up and bring attention to the inherent biases in the systems. We're the ones who constantly have to try to educate people about experiences that they don't even care to think about. I had to ask onto a committee of all white women to try to make a small dent, and they hadn't even considered it until I asked (at least they agreed, though). Just being on the committee saps my strength and makes me want to quit on the whole ridiculous process.<br /><br />But I'm not willing to give in. If I'm going to talk about it, I have too much pride not to then follow up. But it's so painful. <br /><br />A little over a week ago, I met with the current executive director, associate director, and my program director (all white folks, of course) to talk about the cultural make-up of the staff.** And I wanted to cry. <br /><br />I laid it all out: how hard it is to see so little representation; how uncomfortable it makes <span style="font-style:italic;">me</span>, and then extrapolating that to how much harder that must be for the kids; acknowledging the difficulties to recruitment, etc. while demanding <span style="font-style:italic;">more</span>. <br /><br />But the problem is that it just ends up sounding like I'm asking for hires <span style="font-style:italic;">just because</span> of race. Like I'm making the argument anti-affirmative action people always pretend we're making: that I want folks to hire <span style="font-style:italic;">less-qualified </span>folks of color just because of their race. <br /><br />And it's so hard to explain that - no - that's not what I'm asking. That it's about making it all <span style="font-style:italic;">fair</span>. About doing the right things to attract the <span style="font-style:italic;">qualified </span>folks of color to even apply in the first place, and then making the rest of the process <span style="font-style:italic;">actually </span>level - like getting some color (the little we have in the first place) involved in the hiring process. <br /><br />But nobody ever understands. It's a fruitless, unsatisfying endeavour. And it just makes me wonder if I really need to put myself through more of this crap. <br /><br />But, of course, I do. And that brings me to my OTHER hiring committee. This one is me and <span style="font-style:italic;">two </span>white women. And due to my busy schedule, I cannot be directly involved in the interview process. And that really worries me. Because now you've got the folks of color coming into an interview with no indication of representation in the organization. Folks that are confronting the same kind of mind-numbing sense of "other"-ness of the rest of their life as they interview for a job - without at least one browner person to help mitigate that. <br /><br />And there's no real way around it. I'm trying to get myself some phone-time with these folks, but their impressions on the other two-thirds of the hiring committee will be happening separate from that. So they could very well flounder or not be able to connect in their person-to-person interviews, giving a negative taste (understandably) to my hiring counterparts. So even if I <span style="font-style:italic;">do </span>connect with them on the phone and then make my appeal, it comes off as the token person of color trying to get another "unqualified" person of color hired as de facto "affirmative action." <br /><br />Because the interview process is so inherently biased towards white folks, but the "white-as-norm" mentality makes the same white people doing the hiring unaware of it on any sort of intuitive level. And so they think the interview demonstrates "qualifications" to an objective degree. When, really, it's a test to see how well you can follow middle-class, white cultural norms. <br /><br />Which, in some cases, is a necessary qualification for a job. But, in others - like working with and actually relating to kids of color and/or those in poverty - it's mostly irrelevant. And yet - it's probably the primary factor in most hires (past a certain level). Am I starting to get my point across? <br /><br />It's one more hidden handicap for folks of color in this systemic game called white privilege. The hiring committee can say, "we interviewed a number of minority candidates, but they just didn't interview well," and then their hands (and consciences) are clean. When, really, it's not so different from interviewing some folks you don't know for a job, then saying they just didn't connect on the same level as that guy you went to high school with. <br /><br />Nobody would hesitate to say that the latter situation is unfair and perhaps even unethical. And yet, nobody seems to say that the same thing happening with people of color interviewing with mostly-white staff or committees is anything but "equal." <br /><br />Let me give you a stark example to finish off my point:<br /><br />What if the middle-class white woman candidate had to interview with a room of five black males who grew up in the inner city? And she was competing with another black male who grew up in the inner city? The white woman doesn't get hired, and that's when the cries of "reverse-racism" would come flying - even if the woman had a horrible interview due to being uncomfortable, etc. while the black male connected and really seemed confident in his interview. <br /><br />Now tell me that the odds aren't heavily stacked against the candidates of color in this business. <br /><br />That's what I thought. And that's why my ability to hope is really taking a hit these days. Nothing's ever enough . . .<br /><br /><br />* I'm going to be purposely vague in a lot of this out of respect to the applicants and the organizations I work for.<br /><br />** My focus was on racial background, but I talked about economics, as well.<br /><br />*** And before anybody starts telling me I hate white women - in my line of work, it's heavily-weighted towards white females. It just is. And that was who was on my hiring committees. If it happened to be all white men, or only Latino females, or all anything else, all the same reasoning would apply.Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3733547565614327236.post-5786620108958223592009-05-02T08:01:00.000-07:002009-05-06T19:51:52.996-07:00Success!!!<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYfL67kVyAus2cb75bE2tNMnLeFK52tsXJly53IFsLWiB2XP5MCiupzBxAd9W09F5xT1EeHJOnWqG3JBRcVmGf0L7xkD8xjykeh6AzOZzN7vBiL42F-52bVGQuvlRh2goRCYMrZ5fJp36t/s1600-h/AsianConf.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYfL67kVyAus2cb75bE2tNMnLeFK52tsXJly53IFsLWiB2XP5MCiupzBxAd9W09F5xT1EeHJOnWqG3JBRcVmGf0L7xkD8xjykeh6AzOZzN7vBiL42F-52bVGQuvlRh2goRCYMrZ5fJp36t/s320/AsianConf.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5331243982772734354" /></a><br /><br />I haven't posted in two weeks. Because I've been busier than I've ever been at any other point in my life (I think I really mean that, too). But the biggest part of that came to a head yesterday: the Asian Youth Conference.** After all the stress and late nights, working on the weekends, waking up in the middle of the night remembering something to do or somebody to contact - it's over. <br /><br />My part in the conference was as Program Coordinator***. What that entailed is that I was basically in charge of most of the things in full view during the actual conference (as opposed to the "behind-the-scenes" fundraising, food, t-shirts, things like that). So I developed most of the workshops and recruited and trained the facilitators to run them. I scripted and was responsible for the smooth running of the Opening and Closing programs. I brought in the midday entertainment (a mostly-Asian b-boy "breakdancing" crew). And I did all the scheduling for the day of (including assigning 500 students and their chaperones to workshop rotations, trying to give students their preferences while simultaneously mixing them with other schools but making sure they had their chaperones with them). <br /><br />Now - I'm not listing all those things to brag about how impressive I am (although I am). But rather, I want to make my responsibilities clear, so you can imagine the level of stress that was on me going in and throughout the day. Because it basically went like this: if anything went wrong on the day and caused the conference to be a negative experience for anybody - it was my fault. A kid didn't like their workshop? My fault because I designed it, or didn't train the facilitators well enough. A kid didn't get the workshops they wanted? My fault because I assigned the rotations. The Opening Program was weak? My fault because I scripted it poorly, or didn't coach up the student emcees well enough, or didn't have the right music or video or PowerPoint queued up. Workshops run out of worksheets? The b-boy performance suck or go wrong? We get off the precise schedule and have workshops start backing up or kids not completing their activities? Co-facilitators not work well together?<br /><br />You get the picture. As far as I was concerned, I was responsible for 500 Asian-American high school students maximizing their opportunity to be together in Portland (where that just can't ever happen), making sure they got to share a little bit, connect and feel a bit less alone, and to have a positive experience doing it. If that didn't happen? All my fault.<br /><br />And so I happily report back: it was a success. A complete success. Sure - not everything went perfectly (usually due to technical difficulties, but kids always have something they're not full happy about), but the kids and adults had an overall positive experience, and those that can want to come back. <br /><br />After all this theorizing in my head about what things could/would look like, it felt amazing to get some chances to stop for a second (most of the day I was running around like a headless chicken, in half-panic mode) and actually, physically <span style="font-style:italic;">see</span> some cool things, like: a whole bunch of Asian kids in a room sharing their experiences, talking about stereotypes, clapping and cheering for each other, and laughing all at the same time; kids running full-steam around a block of classrooms as their new Asian teammates from other schools cheered them on; students sharing their surprise that none of the Asian kids in the room played a classical instrument, liked math or science, or even played tennis; 500 Asian youth crowded up near a stage bobbing their heads to hip-hop beats and screaming and cheering like crazy for other Asian youth doing back-spins and freezes and becoming heroes in the process. We gave out scholarships. Students got to talk to college reps about going to school. They learned about other scholarship and financial aid opportunities. They spoke up.<br /><br />And I'm so proud to have been a part of all that. To have contributed to it. I get almost weepy thinking about it. In the Portland Metro Area, where it sometimes feels like the only Asian people are the ones working at the handful of Asian restaurants, 500 high school students of Asian backgrounds all spent a day together. Just looking at the packed bleachers full of Asian kids cheering for each other and their accomplishments . . . It was all just something special.**** <br /><br />So all the stress, all the work, the frustrations - most definitely worth it. Months and months of planning and meetings and work for one whirlwind day - worth it. <br /><br />And, on top of all that, I got to have my own experience of having this little community of Asian adults all working together to plan this thing and make it happen. We all went out to dinner afterwards (got to eat Chinese food as it's supposed to be - in a large group, all sharing various dishes, talking loudly), and I couldn't help but grin as two members of the committee slipped into Thai for a minute, only to have our Chair threaten, "If you keep that up, I'm going to speak in Vietnamese about you for the rest of the dinner" (and he did, for a minute). I talked to a few of them who had spent time in China about my impending trip. When they asked about my language skills, they asked which dialect my mom spoke (knowing that there actually is no such language as just "Chinese").<br /><br />So let's just say I definitely got my own non-monetary rewards for this work (I'll be the first to admit that nothing is truly altruistic - <span style="font-style:italic;">nothing</span>). <br /><br />The only negative? Once again, I'm hesitant about leaving for China (a decision I officially made clear to my school, so I will not be teaching there next year). I have so many ideas about next year's conference. I want to be involved. I suddenly have Asian community in Portland. I'm building things. And I'm going to leave. But - again - it's a hard choice. More bad timing for good things, as I don't want to leave this particular aspect of my life here. <br /><br />The heaviest blow? Last night, the Chair announced his intention to step down (still being part of the Planning Team, but with less responsibilities) and asked me to take his place . . . It's an opportunity that's hard to pass up. One I'm ready for (and it seems like events have been heading towards this). <br /><br />A lot to think about. But I'm going to let that sit for a while - no immediate hurry. Because - for right now - I just want a couple more days to revel in the positives and the here-and-now. And that is this: I was part of a special opportunity for Asian-American kids in my community, and it was a success.<br /><br />And that's all I have left to say. <br /><br />* Note - the image above is not actually from my conference.<br /><br />** That's not the actual name of the conference, but I don't want folks looking it up and coming here, thinking that this blog is officially affiliated with the conference in any way. It isn't. This is my personal blog. The conference is part of my professional work, and doesn't necessarily reflect any of the opinions expressed on this site. <br /><br />*** We haven't updated the website, so if you find it and think that the name listed as PC on the site is my real identity, you'd be wrong.<br /><br />**** I should note here that - when a random slide of Obama went up - the crowd went CRAZY. Say what you will about his policies and the change he has/hasn't enacted - that man's election changed the world for youth of color in this country.Unknownnoreply@blogger.com6tag:blogger.com,1999:blog-3733547565614327236.post-5872942262886095962009-04-19T08:05:00.000-07:002009-04-19T08:38:45.142-07:00On "The Class (Entre les Murs)"<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_mUvHdNrU7AU/Ses-D9unnPI/AAAAAAAAA0U/iPUdQq7sQS0/s1600-h/TheClass04.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 190px;" src="http://4.bp.blogspot.com/_mUvHdNrU7AU/Ses-D9unnPI/AAAAAAAAA0U/iPUdQq7sQS0/s320/TheClass04.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5326419222126370034" /></a><br /><br />So - you've got this white teacher, right? And he's teaching at an urban school with a diverse population of students. A lot of these students come from poverty and rough backgrounds, a number of them immigrants. He's teaching Language Arts, so they end up doing a self-portrait about themselves. Things are learned. <br /><br />We've most definitely heard this story before, right? We've seen this movie - "Freedom Writers," "Dangerous Minds" (they're always Language Arts teachers, no?). White savior comes in and - in their first year of teaching - they "save" all these kids of color who aren't capable of saving themselves. We've seen it.<br /><br />But what we have <span style="font-style:italic;">not</span> seen is "The Class." It's set up so much like these other films, but it's so very different. The first "why"? Probably because it's not an American film. It's French. When Mr. Marin (the teacher in the film) teaches Language Arts, it's called "French." And when François Bégaudeau (the actor and writer and once-teacher) wrote this screenplay, he had no intention of following the b.s. American formula - and in so doing he created something so incredibly original simply because it was <span style="font-style:italic;">real</span>. <br /><br />This is not a movie for good-feelings. It won't uplift you in the end. There are no answered questions or pat morality tales. The movie ends as murky and frustrating and awkward as it begins - and that is its brilliance. Because - in that - it perfectly mirrors the actual teaching profession. <br /><br />The movie starts on the first day of school with Mr. Marin (in his fourth year of teaching) and ends on the last day. There is not a single scene played out outside the walls of the school (hence the French name, "Entre les Murs," which means, "Between the Walls"). It's semi-documentary style let's us see exactly what the students and teachers see: a class full of kids from a variety of backgrounds, sometimes learning, often challenging. We get hints of what's going on in their lives, but we do not have the luxury of trite peeks into their home-lives, we are left only with hints - just as in real life. <br /><br />And the teacher? We see him in staff meetings, as the teachers bicker with each other over how to "punish" the kids effectively. We watch one teacher melt down in frustration in the staff break room. We see Mr. Marin leave late at night, fatigued and worn-down. And then we see the next day of class. Even for Mr. Marin, there is no home-life, no romantic interest down the hall. Nothing to show us his outside world that the students wouldn't know about.<br /><br />And that's the beauty. It perfectly captures the classroom experience. This strange world where people who don't know each other outside of a very artificial setting share their lives with looks, and shouts, and closing down. People who would never connect in the outside world, who don't understand each other's cultures or perspectives. Sometimes, beautiful things happen. Sometimes, tragedy. Both sides learn from each other (arguably, more so the teacher from <span style="font-style:italic;">the students</span> in these types of situations than the other way around). Nobody leaves fully satisfied.<br /><br />Mr. Marin screws up. A lot. But he also has strong moments. He cares, but he doesn't understand (even four years in - just like most teachers). He stereotypes his students. He picks on some of them (perhaps unknowingly - perhaps not). He tries his damnedest to do his job under ridiculous circumstances. And the kids? The same. They try. They question. They don't understand, either. <br /><br />Finally, a film about teaching that doesn't try to glorify. That brings up all the questions and gives no answers. There is no "saving" kids. Teachers come from a different world and judge without understanding - and it frustrates everybody involved. There is so much opposition (from the top on down), that it's amazing that <span style="font-style:italic;">anything</span> positive happens. It only makes sense that a movie like this could only have been written by - and <span style="font-style:italic;">acted</span> by - a former teacher. And I don't know the background behind the actors that play the students - but they are absolutely brilliant. It seemed so real, even though I knew it wasn't a documentary, I often questioned that fact. <br /><br />This movie is painful on a lot of levels. It brings up issues of class, and race, and sexism without carefully tying off any loose ends. It's <span style="font-style:italic;">raw</span>. And that rawness is what makes it so worth seeing. You want to get a real glimpse into the world of public-school teaching in America? Watch this French film. <br /><br />And that's the only problem with the movie. That people who do not know any better will watch this and take it as just that: a <span style="font-style:italic;">French</span> film. Allowing the fact of its origin to keep them from understanding its absolute truth to an American education system. I can already imagine all those Freedom-Fry lovin' patriots dismissing the veracity of this film because - Americans wouldn't do that. Trying to think that the system and mentality is different (when it is - at least from what I saw in this film - <span style="font-style:italic;">exactly</span> the same). <br /><br />And then they'll go back to watching "Dangerous Minds" and think about teaching Language Arts. <br /><br />When they should be taking this lesson - think twice about teaching. You're probably not going to be good at it. Because, in this system, so few people are.*<br /><br />* I'll be following up on that statement in a post about "the Myth of Good Teaching" soon.Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-3733547565614327236.post-19696224308035995562009-04-14T17:43:00.000-07:002009-04-19T08:43:52.320-07:00On Revolutionaries and Politicians<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_mUvHdNrU7AU/SeUu9hU2QRI/AAAAAAAAA0M/HF5f7cAyQLs/s1600-h/Lumumba+reflection.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 241px; height: 320px;" src="http://4.bp.blogspot.com/_mUvHdNrU7AU/SeUu9hU2QRI/AAAAAAAAA0M/HF5f7cAyQLs/s320/Lumumba+reflection.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5324713768888189202" /></a><br /><br />I was just reading myself some<a href="www.racialicious.com"> Racialicious</a>, and there was an article that referenced people's disappointment in Obama's lack of obvious measures to help African-Americans. Now, this is nothing new, but it again made me think on something I've been meaning to write about for a long time (but just never seemed to get to).<br /><br />This is the difference between <span style="font-style:italic;">revolutionaries</span> and <span style="font-style:italic;">politicians</span>. <br /><br />In brief, a revolutionary is somebody who - through passionate, radical action - sparks drastic change. Most often, we associate revolutionaries with war, of course (because they are generally catalysts for <span style="font-style:italic;">revolution</span>, hence the word). But revolutionaries aren't always fighters. They can be present in times of martial peace. Because, to me - revolutionaries are folks who spark change through <span style="font-style:italic;">non-political</span> means. Revolutionaries can be people like the American Civil Rights leaders of the 60s, who sparked change through non-compliance with racist laws. They can be folks who spark grassroots movements to change systems that governing bodies can't or won't change. <br /><br />Politicians, on the other hand, work through government. These are literal politicians who run for elected office, but they can also be lobbyists and other folks who drive their desires through the hoops and bureaucracy that is the government machine. These people also bring about change, but more subtly. They work through compromise and diplomacy, and an attempt to establish a middle ground. <br /><br />Both sides can bring about just change. Both sides can bring about destruction and injustice. They just have different mentalities and methods in doing so.<br /><br />And the big problem people already disappointed by Obama have is that they mistook him for a <span style="font-style:italic;">revolutionary</span>. His charisma and speaking ability conveyed passion to his listeners, and they mistook their own inspired passion as that of revolution. His historic rise to the White House was a symbol of change that people mistook for a step towards revolution. These folks got caught up in the wave and thought they had voted a revolutionary into the White House. And now - as they start to realize that sweeping reforms are not forthcoming, they are disappointed. <br /><br />But the key here is that they <span style="font-style:italic;">voted</span> Obama into office. Revolutionaries do <span style="font-style:italic;">not</span> get voted in (until after their side of the revolution has prevailed, at least). Revolutionaries put themselves into power. Through acts of war or a passionate motivation of the people. Obama got the vote.<br /><br />And, to do so, he had to be a politician. He didn't stomp and call out all the ills of this country. He didn't condemn its sick history. He didn't demand <span style="font-style:italic;">justice</span>. He ran the middle ground. He noted this country's past, then said how great it had become. He called out his predecessor's mistakes, but never said he'd pull our armies out of foreign lands. He made use of his mixed heritage to say how white folks and black folks and everyone else walk the same road, more or less. He compromised. Because that's what you do, as a politician. That's how you get elected. That's how you bring about slow and steady change within our governmental system, and within the parameters of the law (just or otherwise). <br /><br />And he's not going to stop being a politician now that he's in. He's part of the machine - there's no override switch once you're in. And so you will NOT see Obama suddenly call attention to race and disparities in this country - because a politician can't do that and survive.<br /><br />Although, neither can a revolutionary.<br /><br />The photo above is of Patrice Lumumba, the first elected Prime Minister of the Democratic Republic of Congo. He served that role for less than a year before he was murdered (with Belgian and US CIA complicity). His newly-independent country fell into chaos at around the same time (more or less as he got himself elected), and it has probably been one of the most war-torn, historically, nations in all the world since. <br /><br />And the question is: how did that happen? Because it's widely accepted that Lumumba was an amazing man. Passionate, brilliant, and - most importantly for a revolutionary - charismatic. His fire and determination fueled his country's fight for independence from Belgian -and helped them prevail. He sparked drastic change. His vision for the future inspired other African nations to fight for their own independence and to try to work together to rebuild. <br /><br />And yet - as his government tried to settle in, he already had his army mutinying, and multiple rivals tearing the people apart. The UN swept in, the CIA chose their best interests, and Lumumba was murdered. And the country hasn't seen real hope since.<br /><br />And that's the problem with revolutionaries - they are <span style="font-style:italic;">not</span> about compromise. And so, as they are inspiring people to their cause, they also end up burning bridges. They are also about passion and big ideas - and government has no time for big ideas when all the little things need taking care of. Revolutionaries are two-to-three steps ahead of reality, and they often pay for that. Because revolutionaries do not make good politicians. Once the drastic change has come, most revolutionaries are unable to settle into the nitty-gritty daily grind of simply running things. <br /><br />And so? Both are necessary. We need the revolutionaries to challenge the status quo and kick people into tearing down accepted injustices. But we need the politicians to calm things down and keep people fed and employed. To keep the water running and the utilities covered. We need revolutionaries to think big and outside of the box. And we need the politicians to work within the box to steadily enlarge it. <br /><br />It's hard to accept, sometimes. Because politicians often seem to end up so soulless in their roles of compromisers. Constantly pandering to their public and trying to keep the most powerful interests happy. We love the revolutionaries because they're so inspiring and make such a good story. So many of them end up dying at the height of their glory - making it easy to turn them into heroes. But, to put it in more day-to-day terms: it's the politicians that keep the family fed and the electricity running. <br /><br />I often find myself wondering which side I tend towards. I definitely lean to the revolutionary in terms of my "big ideas" and demand for "justice." It's so easy for me to see all that's wrong with society and condemn it. And in doing so, I often jump right past realistic modes of change. However, I also find myself playing the slow-and-steady middle ground quite often. I try not to attack my opponents, try to slowly bring them over to my side. But I have no patience for the steady grind and day-to-day management of "the little things." <br /><br />So which way do I turn? What will be my legacy when I look back on my small fight for change in the world? Am I going to be the bread-winner and take care of the kids' daily needs, or am I going to dream big and risk them going hungry (with the possibility of making it big and bringing back that huge paycheck)? The revolutionaries earn our acclaim (or hatred) while the politicians earn our contempt (or disappointment). Who do I want to be?<br /><br />Obama? Or Lumumba? Or is there a somewhere-in-between?Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3733547565614327236.post-67673660498107972352009-04-08T20:32:00.000-07:002009-04-08T20:59:53.458-07:00Overwhelmed<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_mUvHdNrU7AU/Sd1s8IiJ7GI/AAAAAAAAA0E/iX3Va7mhOYY/s1600-h/PlateOfFoodAtSAW.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="http://1.bp.blogspot.com/_mUvHdNrU7AU/Sd1s8IiJ7GI/AAAAAAAAA0E/iX3Va7mhOYY/s320/PlateOfFoodAtSAW.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5322530114960485474" /></a><br /><br />This month is going to be a LONG one. I have so many different aspects of my life coming to a head RIGHT NOW, and it's kind of kicking my ass. All things I - more or less - voluntarily signed on for; but some bad timing for the overall effect. And let me say on the front end that I know none of you give a sh-- about any of this, but I need to just drop it somewhere, so I can relax for a second.<br /><br />First of all - my job is stressful. It takes a TON of energy to do right. Add to that one of our staff members being out for the last month, so we've had a sub in since, and everything is just THAT much harder for everyone else when a sub is in the building. A number of areas where the rest of us have to add just a bit more to our workload. <br /><br />Add to that the fact that the budget situation has caused drastic changes to come down on our organization. People are losing jobs. Programs are being restructured. We're about to do some new hires at key positions in the organization.<br /><br />And - yesterday - while the whole organizational staff came together to hear the full news, I saw that the hiring committees were 100% white. Not a drop of color. In an organization that serves around 50% kids of color. A <span style="font-style:italic;">relationship</span>-based organization that's all about connecting to our kids and families. And I'm not going to say that white folks can't do that, but it's not so welcoming or comforting for the kids when only 13% of the entire staff have color (and 0% at the decision-maker level). So I got myself onto that hiring committee. I had to. Because I refuse to just let that happen and not have some say on that. And I've scheduled a meeting with the top to bluntly discuss this. <br /><br />But that's not all I'm doing. At the end of the month is the Asian youth conference I'm running programs for. So that means I am desperately working to finalize facilitators, finish my workshop designs (three of them that I'm directly in charge of), schedule training times for the 20-plus facilitators. I'm reserving rooms. Trying to find donations for raffle prizes. Preparing an opening and closing, working with student volunteers to help out. Meeting with the management team every week. Writing things up. Re-writing. Re-scheduling. Contacting schools and staff and trying to get kids.<br /><br />At the same time, we're starting to ramp up for the summer art camp I work for. So I'm trying to recruit new staff for that (specifically, folks of color - again to represent the kids - because that has never really happened unless I've pushed it). Trying to get kids signed up. Working with admin to design the training plan, re-vamp things that didn't work. Lock in things that did. All "voluntary," of course. All of this "voluntary." <br /><br />But wait - my brother is getting married at the beginning of May. I'm the best man. My mother is organizing a Chinese tea ceremony that I am hosting. We're planning that out (because that's what I do - plan and facilitate things). On top of that, I'm getting his bachelor activities together (and we refuse to do the "traditional" go fly somewhere and get drunk and forget it all - so I've had to put real effort into that). I'm writing and recording a song to serve as my "best man speech" at the wedding (which I intend to memorize and perform, of course). <br /><br />Not to mention some personal things falling out in my life right now.<br /><br />And I haven't even done my taxes yet. <br /><br />So I'm a bit tired. I have so much I want to do beyond this - creative endeavors, writing, recording, etc. But I just don't have the time or energy. And I've never experienced that before - literally not having the time to do the things I want/need to do for myself. It's kind of crazy.<br /><br />And, in the end - I've brought it all upon myself. Every last bit (with the exception of taxes) is 100% voluntary. Nobody's forcing me to do it. It's not getting me paid (my job is, of course, but I could half-ass it if my pride would allow it). I took it on - I <span style="font-style:italic;">want</span> to do all of it. So I don't really have the right to complain (and - on a general level - I'm not). <br /><br />But - damn. I'm tired. My problem is that I think too highly of myself. I think I know too much. I think that - if I don't do some of these things, nobody will. And it's kind of true. No person of color was going to be on that hiring committee. Nobody at the camp is recruiting folks of color. But who's to say that I'm doing a very good job of it?<br /><br />Beyond that, though - I took on the conference planning because I wanted to do it. I wanted to create something (the workshops) for kids that I never got as a kid. I thought I could do it better. I wanted my brother's stuff do go right (plus, I'm the best man), so I'm going all out - he's my freaking <span style="font-style:italic;">brother</span>, right? <br /><br />But my overlarge eyes are getting me into trouble right now. I just read a research article that said that exerting self-control in one situation makes it much less likely that you will be able to exert self-restraint in another situation that closely follows (no matter whether they are related at all). So wearing myself out on everything else makes it less likely that I'll make the best decisions in other matters. Being tactful and diplomatic with the conference management team and the facilitators and donors I'm working with makes it much less likely that I will do the same at my other job. Or with other folks in my life.<br /><br />And - it's absolutely true. Maybe it's good, in some way. Maybe I wouldn't have been as likely to just schedule a meeting with the top to give them a piece of my mind. Maybe I would have let other things go without speaking up. <br /><br />All that said - this is going to be a LONG month. And I'm looking forward to the end of it. But very interested in seeing how it all pans out. <br /><br />I may write a little bit less, as a result, but I'm sure I'll have a lot of interesting insights and some new perspective on a lot when it's all over. Stick around, and I'll share a little with the rest of you (or not, if you'd rather I just shut up about my "real" life).Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3733547565614327236.post-8303191932364105652009-04-06T20:16:00.000-07:002009-04-19T08:39:38.142-07:00Big Trouble In Little China: Then and Now<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_mUvHdNrU7AU/SdrGMm4Yl-I/AAAAAAAAAz0/hurVYLTJ9w8/s1600-h/lightning.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 233px;" src="http://3.bp.blogspot.com/_mUvHdNrU7AU/SdrGMm4Yl-I/AAAAAAAAAz0/hurVYLTJ9w8/s320/lightning.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5321783829589432290" /></a><br /><br />When I was 6 years old, I went to see a movie with my family: Big Trouble in Little China. This was a big deal for me on multiple levels - first, because my family hardly ever went to see movies in the theatre; and second, because this proved to be my newest favorite movie EVER!!!<br /><br />And it kind of still is.<br /><br />As a 6 year-old (and later years, when I kept watching over and over to the point of obsession*), the movie offered me all the exciting action I could ask for. There were cool martial arts stunts, explosions, guns, magic and an exciting adventure. There were monsters and gods. And there were a TON of Chinese main characters! Badguys, sure, but also the goodguys - and ALL of them were total badasses. Lightning (pictured above - one of the "Three Storms," who were god-like villains) was probably the coolest character ever created, and he didn't even speak English!**<br /><br />Of course, Kurt Russell was the focal protagonist, but he was one of only three white people in the entire film. And - better yet - he was totally out of his element and needed massive help and support (or, really, leadership) from the Chinese guys all around him. Equally focal to the story was his best friend, Wang, who was all kinds of awesome. As a kid, when I was playing with my best friend (a white kid), he would be "Jack" (Kurt Russell's character), and I would be "Wang" - and I definitely thought I had gotten the better end of that exchange.***<br /><br />I watched that movie so much that I can almost recite the whole thing word-for-word, even now. And I've found myself wondering - why <span style="font-style:italic;">that</span> movie? There have been so many martial-arts-type movies since my childhood - why was that one so special to me? <br /><br />And so I now turn my adult eye and mind to the film, and I think I get it. Because, considering it came out in 1986, that movie was revolutionary in its depiction of minorities. The Chinese people weren't the weirdos and extras in the movie. Instead, Jack - the muscle-bound white "hero" - is the stranger. He constantly "talks the talk" while being exposed for his cluelessness. He's totally out of his element, and it's the Chinese characters who have to bring him along for the day to be saved. Some of the plot-line is drawn from ancient Chinese mythology, and it is treated with relative respect. Again, Jack's questioning of the "myths" is depicted to show him as the unbelieving barbarian - while the Chinese folks who <span style="font-style:italic;">know</span> their truth go about taking care of business. <br /><br />Even better - the one strong white character in the movie? A woman (played by Kim Cattrall of Sex in the City fame). She's familiar with Chinatown and its subculture. She's strong. She mocks Jack's ridiculous attempts to hit on her. Granted, she ends up getting captured and "saved," but she takes a leading role in her own rescue (while Jack botches it up numerous times). <br /><br />And then let's go to the one interracial romance - between a Chinese <span style="font-style:italic;">guy</span> and a white <span style="font-style:italic;">woman</span>. And the guy is hardly exotified in this one. <br /><br />Shall we continue? Outside of the one Chinese guy who ends up with the white woman, <span style="font-style:italic;">every single</span> other Chinese guy in the movie is a complete and total badass - and the dork even gets his badass moment. There are no dorky Chinese nerds running around. All the stereotypes depicted in so many movies before and since - absent. <br /><br />And - yeah, yeah, yeah - there's a lot of martial arts, but still . . . "Forbidden Kingdom" is a mockery. "Big Trouble in Little China" says - those Chinese dudes can more than hold their own. <br /><br />And, of course, I'm not trying to make this out to be the perfect movie - it's still a ridiculous action-adventure at the end of the day. The few Chinese women in the movie aren't exactly shining beacons of strength. But - for when it was made - it's kind of amazing. Hell - even compared to present-day movies, it still holds its own.<br /><br />A movie about a ridiculous, macho white trucker. But a ridiculous, macho white trucker who just so happens to like to hang out in Chinatown after making his deliveries, playing fan-tan (a Chinese gambling game) with his Chinese buddies, and whose best friend happens to be a Chinese guy. In fact, they are such good friends that - without a thought - this macho white trucker gets himself involved in a deadly adventure to help his friend get back his girl. <br /><br />You think that concept didn't grab a hold of me? You think - even as a 6 year-old - I didn't notice how his Chinese friend imparts wisdom and fights like a badass while trying to keep the confused white guy from getting himself killed? You think I didn't soak in all the various cool Chinese heroes (and even cooler villains) filling the screen at all times, even if I was too young to really digest it all on a conscious level? <br /><br />Because there were no other movies like it. Not before. Arguably - not after. A big, crazy American action-adventure movie where the Asian guys completely stole the show and were meant to. And this was a movie starring Kurt Russell and directed by John Carpenter! A movie that just sunk its claws into my 6 year-old heart and never let go - even 23 years later. <br /><br />Of course, it bombed in the theaters. Kurt Russell even noted going into it that it was going to struggle, "This is a difficult picture to sell because . . . It's a mixture of the real history of Chinatown in San Francisco blended with Chinese legend and lore . . . There are only a handful of non-Asian actors in the cast".****<br /><br />But it has lived on. Even prevailed to become a huge cult classic. Kind of like a minority who doesn't let him/herself be silenced - if you stand up for yourself long enough, <span style="font-style:italic;">somebody's</span> going to take notice.<br /><br />So I suggest that all of you go check out the film. See if you can combine the joy of your six-year-old self with that of your conscious adult mind and rejoice that a movie with all this goodness was made two decades ago. And then ask yourself why so few like it have been made since . . . <br /><br />* I remember watching the entire film all scrambled on tv when the pay-per-view channels were somewhat discernible at random times throughout a showing. <br /><br />** He was the only Storm with no speaking lines, and - judging from Thunder's thick accent - it <span style="font-style:italic;">had</span> to be because he didn't speak English at all . . .<br /><br />*** When I was alone, I was "Lightning." <br /><br />**** This particular quote ripped from Wikipedia (I swear I do real research on my own time . . .)<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_mUvHdNrU7AU/SdrTI3aNdxI/AAAAAAAAAz8/MfK7_ERzBlA/s1600-h/big_trouble_china_xl_03--film-A.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="http://1.bp.blogspot.com/_mUvHdNrU7AU/SdrTI3aNdxI/AAAAAAAAAz8/MfK7_ERzBlA/s320/big_trouble_china_xl_03--film-A.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5321798058957960978" /></a>Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-3733547565614327236.post-76036997205026459592009-04-02T19:58:00.000-07:002009-04-19T08:41:34.528-07:00No Longer Brown?<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_mUvHdNrU7AU/SdV8EcepR9I/AAAAAAAAAzs/C6fbZBHy4Aw/s1600-h/sunburn-af.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 277px;" src="http://2.bp.blogspot.com/_mUvHdNrU7AU/SdV8EcepR9I/AAAAAAAAAzs/C6fbZBHy4Aw/s320/sunburn-af.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5320294950614157266" /></a><br /><br />When I was in Hawaii a couple weeks back, I realized something: I'm not brown, anymore.<br /><br />In fact, I haven't been brown for the last 10-plus years. <br /><br />But I used to be.<br /><br />See - I grew up in California (SF Bay Area). Through most of my years there, I wore shorts and a t-shirt (even when the weather should have prevented me from doing so). I was on a swim team in the summer. I was exposed to the sun on a very regular basis. And, as a result, I was brown.<br /><br />And when I say "brown," I mean <span style="font-style:italic;">brown</span>. Brown-skinned. Not <span style="font-style:italic;">tan</span> or darker-than-pale. Brown like folks that refer to themselves as brown look. <br /><br />Then I moved out of California (to Michigan, first; eventually to Portland), and my brown days came to an end. I remember my shock the first time I got flat sunburnt when I came back to California one summer. Since I had never been pale enough to burn as a kid, I didn't ever think about sunscreen. So when my pale-ass came out of a Michigan winter to hang out at the beach in California, I went up like a torch. And it absolutely shocked me.<br /><br />I remember thinking, "but I don't sunburn." It took me forever to realize the obvious: that being bundled up and out of sunlight for many months had caused me to turn <span style="font-style:italic;">pale</span>. And pale skin is not equipped to handle large quantities of sunlight naturally. <br /><br />Now I've become used to it. I wear sunscreen during the summer or am very conscious about my exposure. In Hawaii, I was doubly-conscious. I do get tan during the summer now, but in Hawaii, I realized how far from <span style="font-style:italic;">brown</span> I end up these days, even in the summer. And it was an interesting thought.<br /><br />Because, in many ways, I am much more <span style="font-style:italic;">consciously</span> brown, in terms of political orientation, identity, and lifestyle now than I was as a child. It's been more or less a perfect inverse correlation - as my skin-tone got lighter, my mentality got darker. <br /><br />Seems strange, at first, but it makes perfect sense when given a bit of analysis: as a kid, when I was actually brown-skinned, I lived in a place where other people like me were (relatively) common. I didn't stand out so much. My friends spanned a number of shades, my mix wasn't particularly shocking - I didn't really have to worry about it to a large degree (obviously, I never fully fit in, either, but it wasn't so blatant in the Bay). <br /><br />So - as I began to spend time (and formative, conscious-raising years) in climes and regions where the overall skin-tone was pale, I found myself standing out more. I was very regularly "the only one" that looked like me. I didn't know people with common experiences of identity. People's understanding of race and "otherness" was a little less sophisticated. And so, as the sunlight left me, so did my ability to just "let things go" and feel comfortable. <br /><br />I became more and more dependent upon the media to find people that represented me (and we know how that all ended up) as real-life representations ceased to exist. I became more and more conscious of my real place in the world.<br /><br />And so here I stand: no longer any darker than "tan" in skin-tone, but "brown" in mentality. Maybe it's some weird yin-yang balance thing for mixed folks like me: the white and the non-white side must be in balance, somehow. So my skin must be paler if my mind is going to get darker, or else my whole life-force will get too out of whack. <br /><br />It's not completely crazy: because I was at my most unbalanced (mentally) during those first few years of transition; the years when my skin-tone lost its pigmentation, but I wasn't conscious enough to fully understand what was happening to me (and around me). As a kid - when my skin was darker - I was relatively happy and what-not with some folks like me around, while still taking little issue with the general white world around me. Now, I am relatively happy and what-not with my mind darker - but more focused - and my skin lighter. <br /><br />Maybe I'm on to something here. Maybe if I moved to Hawaii, I would have to lose a little bit of my political edge to compensate for my darkening skin. Maybe if I moved to the Arctic, I would have to become militant to handle permanently-pale skin. Who knows?<br /><br />You readers will have to tell <span style="font-style:italic;">me</span> - do I chill out a little bit on the rage during the summer months? Are there other instances of skin-mind color-balancing for the other mixed folks out there?<br /><br />And what would ever happen if I were to artificially tan?! Now <span style="font-style:italic;">there's</span> a thought-experiment for the ages . . .<br /><br />* No, I don't actually think it works like that, by the way.Unknownnoreply@blogger.com5tag:blogger.com,1999:blog-3733547565614327236.post-91241663776713425852009-03-31T21:17:00.000-07:002009-03-31T21:46:38.584-07:00On Perspective and Inspiration<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_mUvHdNrU7AU/SdLsIXCz6rI/AAAAAAAAAzk/kPgfxYnoiko/s1600-h/340x-1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 231px; height: 320px;" src="http://1.bp.blogspot.com/_mUvHdNrU7AU/SdLsIXCz6rI/AAAAAAAAAzk/kPgfxYnoiko/s320/340x-1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5319573738246892210" /></a><br /><br />I have a very high opinion of myself. That probably goes without saying, being a blogger - thinking that "what I have to say" is important enough to justify a regular readership. But - sometimes - I just realize how not special I am. And it kind of feels <span style="font-style:italic;">good</span>. <br /><br />I just spend the last two hours reading over scholarship applications for the <a href="www.aaylc.org">AAYLC</a> (see sidebar for more information), and I've come away humbled. After poring over application after application by kids who've overcome difficulties that I never had to <span style="font-style:italic;">think</span> about as a kid, I'm inspired. <br /><br />These are first-generation kids that came to the States in their teens, not speaking a lick of English, living in poverty with parents that spoke no English (and thus could not help them navigate the education system), and were still somehow able to dominate, academically. On top of that, these are students who volunteered their time helping other students with similar backgrounds - giving back to their community for real (instead of the lip-service version that many other more-privileged students tend to do). All while working nearly full-time jobs to help support their families. <br /><br />Not all of the applicants came from this type of background, of course, but very many did - and they all blew me away. Their level of maturity and strength at such young ages really gave me a perspective on my own privilege (my mother immigrated to the States, but I was American from birth, with parents that met in college). <br /><br />My favorite? A young lady that mirrors the story cited above. What put her above and beyond in my heart (trying to choose who's 'more deserving' in this group is painful and unfair)* was her opening reference to our rich, white male-dominated society and the importance of underrepresented groups finding a voice as a community (I wish I could quote her, but I don't want to push her right to confidentiality). I imagine that - in some cases - that reference would come back to bite her (because who do you think runs the admissions process for most universities?), but it made me smile knowing that her bravery and raw honesty in addressing that found the right reader, in this case. <br /><br />So I want to give a head-nod to these kids (all of them, really) for giving me a much-needed shot of inspiration and hope for the future this evening. I doubt somebody like me was their intended audience - or, certainly, who they thought they would be inspiring - but that makes it all the sweeter. <br /><br />I shall sleep happily tonight - a much humbler CVT than when I woke up this morning. And that's very much a good thing.<br /><br />* And I have to say that the fact that all of these kids don't get their college educations paid for is an f-ing injustice and a sad reflection on the state of "higher learning" and privilege in this country.Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3733547565614327236.post-88548887628088284322009-03-29T10:49:00.000-07:002009-03-29T12:29:20.051-07:00Hapa in Hawaii: Mixed Feelings<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_mUvHdNrU7AU/Sc-02jbKbbI/AAAAAAAAAzU/OK23m8uJLHs/s1600-h/340x.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 209px; height: 320px;" src="http://2.bp.blogspot.com/_mUvHdNrU7AU/Sc-02jbKbbI/AAAAAAAAAzU/OK23m8uJLHs/s320/340x.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5318668534262951346" /></a><br /><br />So, in my previous post (<a href="http://choptensils.blogspot.com/2009/03/hapa-in-hawaii-kumu-kahua-theatre.html">Hapa in Hawaii: Kumu Kahua</a>), I covered how incredible it felt to be in Honolulu, surrounded by folks that actually looked like me, for one of the first (and only) times in my life. And - due to that - I kind of think of Hawaii as my adopted homeland in a lot of ways.* <br /><br />But - being me - I wasn't able to just stop there and bathe in the warm glow of blending in. No - I had to go deeper. I had to really examine <span style="font-style:italic;">why</span> this place existed - an island where a majority of the people resemble me, phenotypically-speaking. <br /><br />And, of course, it comes down to history. Due to its position 3,000 miles from any continent (Asia, Australia, or Americas), Hawaii was able to avoid the earliest rushes of colonial expansion and empire. It wasn't until 1778 when white colonizers arrived on Hawaiian shores with Captain Cook.** Shortly thereafter, King Kamehameha I was able to unify the islands under his rule through a relatively quick war of conquest. Ironically, evidence suggests that Kamehameha was able to defeat his opponents largely due to his use of European guns and weaponry (brought by American and European traders). <br /><br />A united Hawaii, in theory, should have led to furthering Hawaiian strength. Sadly, it was all downhill from there. <br /><br />Over the course of the next 100 years, foreign interests (mostly white American businessmen) steadily gained a firmer foothold on the islands. By the mid-1800s, there were basically two opposing sources of power in Hawaii - the Hawaiian-run government that held political power and legal authority, and the American businessmen, who controlled Hawaiian economic power. We've seen this sad story a million times - so what happened next, when American capitalism and greed was pitted against an indigenous government?<br /><br />Right. In 1893 U.S. marines landed and helped the American business interests (led by Sanford B. Dole, founder of the Dole fruit empire) overthrow the Hawaiian government. In 1895, Queen Lili'uokalani was arrested for <span style="font-style:italic;">treason</span> when she attempted to regain power. Can I repeat that? The Queen of a previously-independent state was arrested for <span style="font-style:italic;">treason</span> by American business interests when she tried to rule her previously-independent state. In 1898, President McKinley (I'm glad he was shot, but I should note here that Grover Cleveland - McKinley's predecessor - was actually opposed to annexation) signed the resolution of annexation to make Hawaii a U.S. territory. Notably, native Hawaiians weren't allowed to vote on the decision to petition for annexation. Upon joining the union, Sanford Dole became the first governor. <br /><br /> - Brief interruption - Dole becoming governor is like if Lee Scott, Jr. (Walmart CEO) took over the Phillipines and then the U.S. made him governor.*** Put that way, though - would you really be surprised if it actually happened?<br /><br />Anyway. So - Hawaii was colonized by the U.S., had its freedom curtailed, and was forced to become part of the Union (without native Hawaiian input). Deep down, somewhere, everybody understands this, but let's just make it clear: Hawaii is a colony, plain and simple. And, just like with the U.S. mainland, it has never won its independence. The only difference being native Hawaiians are actually still visible and harder to ignore on the islands.<br /><br />Okay - so where do all the Asian folk come in? Well, unfortunately for Dole and his buddies, Hawaiian annexation came 30 years after slavery was made illegal, so free labor wasn't available. So they did what American business interests have been doing for centuries (and continue to this day) - they found cheap immigrant labor to work under slave-like conditions. It's no coincidence that in 1865 - only two years after the Emancipation Proclamation and the year of the end of the Civil War and realization that the North had won - ships from Hawaii arrived in China to bring back plantation laborers. <br /><br />By the early 1880s, 22% of the islands' population was Chinese. Enter the Chinese Exclusion Act of 1884. The Chinese well dried up as Chinese laborers were no longer allowed to come to the States. Suddenly, an influx of Japanese workers appeared on the scene. Then, when the Japanese island population became too large (and deemed a "threat" by white Americans), the Filipinos began to roll in. The first large wave of Korean immigration began around that same time. <br /><br />So, by the early 1900s, Hawaii's ethnic demographics fell out like this: 24% "colored" (which would include Filipinos and other Asians, as well as black and other ethnicities), 23% white, 22% Native, 21% Japanese, and 8% Chinese (that Exclusion Act sure was effective). As far as the hierarchy went, you had the Asian laborers at the bottom with indigenous Hawaiians, and the white folks running the show at the top. So - as usually occurs with such distinct class divisions - some racial mixing began with the "lower" levels. Various Asian ethnicities began to mix (a little, there is still a lot of intra-Asian cultural hostility) with each other, as well as some mixing with native Hawaiians. <br /><br />So - 100 years of racial mixing led to the racially-ambiguous look of the people living in Hawaii presently. Few with native blood aren't mixed to some degree.<br /><br />But we're not finished yet. Because we still haven't explained the explosion of "hapas" that hit the islands some decades back. <br /><br />Interestingly, along with the Asian laborers coming in at the beginning of the 20th century was a large population of <span style="font-style:italic;">Portuguese</span> immigrant laborers. At that point, Portuguese wasn't white, they were on the same class-level with the rest of the laborers, and a large numbers of mixed folks in Hawaii with white blood have Portuguese ancestry. <br /><br />But wait - there's more. Starting in the 1980s, Asian economies (specifically Japanese) began to gain momentum. And, with the increase in economic power of these Asian peoples came with their increase in <span style="font-style:italic;">political</span> power (and levels of acceptance) in Hawaii. So, as Japanese (and some other Asians) began to mix, politically and socially, at the highest class levels, they also began to mix their bloodstreams. Et voila! The birth of the modern "hapa" movement. <br /><br />Whoo! So here we are - present-day. "Hapa pride" is a catch-phrase, and the majority of mainland Americans think "Hawaiian" folks look like me. If we're talking about people living in the state of Hawaii, then that's true, of course. But if we're talking about indigenous Hawaiians? Not at all. <br /><br />And so, after putting all these pieces together, I realized that my "blending in" as a hapa-haole in Hawaii is actually a consequence of racial privilege. The majority of the hapas on the islands come from a relatively privileged background in comparison to the indigenous Hawaiians. The only reason folks of my mixture exist in such large amounts on the islands is due to American colonization and Asian economic dominance. <br /><br />So, really - my "look" is a symbolic representation of American empire and the rule of capitalism. My "blending in" in Hawaii served as a bridge for further connection from myself to native Hawaiian issues, but, in a way, I am a <span style="font-style:italic;">cause</span> of those same issues. <br /><br />What do I do with this knowledge? How does this affect my excitement at the opportunity to see people like me all over the place? <br /><br />I'm not really sure. My first step is open acknowledgement of it. I'm not going to hide from it. I will examine it, deeply, and accept whatever I find. And then I'll share it. Through my writing on this blog, as well as artistically (I already performed a piece that addresses this). The second step is to allow myself to still appreciate my opportunity to be "normal" - no matter the historical significance of that. Being any kind of racial mixture is a remnant of cultural expansion and empire, and there's no avoiding it. In spite of how people with my particular phenotype came into existence, I still have the right to feel a sense of normality. <br /><br />And, finally - I will continue to look for ways to rectify past wrongs. It isn't my <span style="font-style:italic;">fault</span> that things are the way they are, but nor is it my subsequent <span style="font-style:italic;">right</span> to allow things to remain that way. As a direct recipient of benefits wrought by privilege (however small and fleeting, in this case), it is my <span style="font-style:italic;">responsibility</span> to do something. <br /><br />And so I will. Because I refuse to hide in ignorance, no matter how soothing - even when it comes disguised as something I've longed for for so long. <br /><br /><br /><br />* China being the "motherland," literally, but obviously not really <span style="font-style:italic;">my</span> place. The mainland U.S. more or less the "fatherland," but - again - not fully my place in a lot of ways. My "homeland," then, being where both sides meet. <br /><br />** At this point, y'all don't need me to explain why I qualify "white" explorers . . .<br /><br />*** I use the Phillipines as an example, because their current state of being a quasi-U.S. colony with heavy military presence mirrors that of Hawaii before the overthrow . . .Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-3733547565614327236.post-59279007333215980952009-03-27T08:50:00.000-07:002009-03-27T09:32:04.451-07:00On Donors and Board Members<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_mUvHdNrU7AU/Scz3CKPzOEI/AAAAAAAAAzM/R-zvYAihBJg/s1600-h/NIEH_Board_Members_High_Res.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 138px;" src="http://2.bp.blogspot.com/_mUvHdNrU7AU/Scz3CKPzOEI/AAAAAAAAAzM/R-zvYAihBJg/s320/NIEH_Board_Members_High_Res.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5317896876500138050" /></a><br /><br />I know, I know - more Honolulu posts promised, and I just haven't done it yet (haven't even gotten to the dark side, the real history). But my life is ridiculously busy right now, so I'm doing my best.<br /><br />I'll take this moment to reference the sidebar - please read up on the AAYLC, any kind of help would be most appreciated. <br /><br />In the meantime, I wanted to drop a quick post on an experience I had last night:<br /><br />I don't know if I've mentioned it on this blog, but - on top of teaching - I work for a non-profit youth arts organization (primarily at the camp in the summer, but we run year-round programming in schools, mentoring kids and working with their families, etc.). So - last night - I found myself helping out at a fundraising event. <br /><br />The event was - basically - a casual (but high-quality) hors d'ouvre-y kind of thing consisting of possible private donors (individuals with money, basically) and board members (also, coincidentally, individuals with money) shmoozing it up, watching a little video about the program, and listening to the founder (and one ex-camper) talk a bit. Relatively small (about 60 people). <br /><br />So my job was managing the door. Since the event was held in a huge building (our offices are contained within a large advertising firm's building), we needed folks to help the donors and board members actually GET to the event upstairs. So my job was to greet folks as they came in, and send them to (and help them get on) the employee elevator (which needs an access key), where another staffer would be waiting, to accompany them to the event location. <br /><br />Easy enough. Except the event, as I mentioned, was in a huge advertising agency building. At the tail end of work hours. So there was a constant flow of people coming and going - ad employees, visitors, etc. So I had to figure out which people were there for the fundraiser, and who weren't.<br /><br />That should have made it difficult. Sadly, it wasn't.<br /><br />I only asked one person who wasn't there for the event if they were there for the fundraiser. <span style="font-style:italic;">Every single other individual</span> I was able to pinpoint the second they walked in the door, so I could go up to them and help them before they even asked for help. <span style="font-style:italic;">Every single one</span>. <br /><br />At this point, you may ask why (or you probably have it figured out)? Why was I able to do that? How? Do I have some incredible powers of intuition or ESP that others do not have? <br /><br />Nope, I just leaned - heavily - on my own stereotypes of what a "private donor" or "board member" would look like and went with it. And it was 99% accurate, in this case. What was I looking for - more "fancily" dressed (perhaps "elegant" is more accurate - it wasn't a formal event at all, some people were in sweaters, but there was a particular price-threshold for what people were wearing, regardless of its formality, that I was able to see immediately). Then there was age - I assumed that they would be around 50 and older. I assumed race, as well - but that wasn't going to keep me from asking folks of color if they seemed to fit the other categories or looked lost. <br /><br />But I didn't need to. Because <span style="font-style:italic;">not a single person</span> at the event (with the exception of myself and a couple other staff members) wasn't white. Not one. <br /><br />Not surprising, in the least, of course - but not exactly what I wanted to see. Considering the percentage (probably around half) of kids of color that are part of our program , it would have been nice to see a little bit of representation at the highest levels. It's harder to tell if anybody represented the kids' socioeconomic class (most from poverty) - I would assume no, but I can't say for sure that none of the folks that came hadn't "worked up from nothing." But knowing how often that actually happens, I have my guesses. <br /><br />So - another stereotype that I didn't want reinforced held up to scientific rigour. 100% is pretty significant, statistically-speaking. It's a stereotype I know I hold - this one consciously - but I constantly hope to be proven an ass on this one; but it has yet to happen. It's the same with my school - the people that run things are white. Period. And so it's so hard for me to explain to any of them the importance of <span style="font-style:italic;">real</span> diversity, as well as help them with some cultural competence in how they look at the program, and the changes they choose to make (or not). <br /><br />Frustrating. <br /><br />But I want to end on a positive note:<br /><br />At first glance, the founder of the camp (and subsequent programming) would seem like the stereotype, as well. An older white guy with a TON of money (half the people that come to these events are just trying to get <span style="font-style:italic;">near</span> him because he's so high on the social-status ladder). Further stereotypes would follow, regarding his intentions, what he thinks is important, how he uses his money, etc. <br /><br />But I am happy to say that that is <span style="font-style:italic;">not</span> the case. He has positive intentions, of course - but we all know how helpful intentions are when poorly carried out. No - importantly - he still has humility, in that, in spite of all these reasons he could feel like he's a god walking on dirt, he just treats people right. And, even more surprisingly - considering, he is constantly trying to learn and better himself. He's probably the only person of his status and position that could listen to me do some of my more race-and-class-conscious political poetry at camp (you should have seen some of the "lesser" board members cringe), and I know he's actually hearing it. He's come up and talked to me afterwards - not in the manner that uncomfortable white folks with money feel like they have to ("politically correct" and all that), but to delve deeper. <br /><br />It's cool. He's let me and other staff push through changes and have conversations about working with our kids (about class or race) even while he admits that he doesn't fully understand/agree with it. And that's really an amazing thing - because, obviously, he has the power to veto everything (it also says a lot that he spends a large portion of the summer at camp with the kids, as opposed to being too "important" to mix it up a little). He's not perfect, of course - we have our points of contention - but he's actually <span style="font-style:italic;">trying</span>; and that makes all the difference. <br /><br />So. That kind of came off like an ass-kissing session there, but I just feel the need to point out the positive when I see it. The instances of hope. The breaking of a stereotype that all too often seems so true. It's not always about race. Or money. With a little humility and openness, people can transcend those boundaries. <br /><br />I just wish it happened on a statistically-significant level.Unknownnoreply@blogger.com3tag:blogger.com,1999:blog-3733547565614327236.post-14486616181632553532009-03-23T21:25:00.000-07:002009-03-23T22:55:29.289-07:00Hapa in Hawaii: Kumu Kahua Theatre<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_mUvHdNrU7AU/Schlyl3zNeI/AAAAAAAAAzE/kaIPdoDpsIE/s1600-h/l_82d0943284cb6afdd907d57ad8fad0ce.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="http://4.bp.blogspot.com/_mUvHdNrU7AU/Schlyl3zNeI/AAAAAAAAAzE/kaIPdoDpsIE/s320/l_82d0943284cb6afdd907d57ad8fad0ce.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5316611279944889826" /></a><br /><br />So here's the moment of truth - which guy in the above photo is the CVT? Maybe the one in the middle, getting held back - he is pretty fiery.* Or maybe he's the one grimacing as he tries to hold the main guy back - the CVT tries to quash conflict. The guy in the way back is too old to be the CVT. But it could be any of the other ones. From what you can see, any of these guys could be hapa (mixed Asian/white). <br /><br />So which one is me?<br /><br />None of them, actually. This is a PR photo for a theatre production in Honolulu. However, what is important is that, knowing what you all know about my physical appearance - any of these guys <span style="font-style:italic;">could</span> be me. <br /><br />Let's say that again - any of the actors in the play pictured <span style="font-style:italic;">could be me</span>, in terms of phenotype. How often have I ever been able to say that about <span style="font-style:italic;">any</span> live performance art (music, theatre, sport, or otherwise)? Never. <br /><br />Until last Saturday night. <br /><br />To kick off my little "Hapa in Honolulu" series, I'm going to start at the end. My last night. And my best night. <br /><br />To end my trip to Oahu, I decided I wanted to soak up the "blending-in" good feelings as heavily as possible. So I found this local theatre company, Kumu Kahua Theatre (KKT), that focuses on plays about Hawaiian people, written by Hawaiians, casting Hawaiian actors. From my research, it became clear that this was not going to be like every other theatre experience from my past - watching a mostly-white cast confront mostly-white issues for a mostly-white audience - and me standing out alone in the middle. No - this time, I might actually <span style="font-style:italic;">blend in</span>. <br /><br />And the second I walked up to the theatre to get my ticket, I knew I wasn't going to be disappointed. The audience was waiting outside for the doors to open, and I couldn't help but get giddy as I looked at them. It was a collection of Asian, mixed-Asian, mixed-other, and Hawaiian folks waiting. I slid in and nobody really noticed, while a couple random theatre-goers stood out like sore thumbs, visually - the handful of white folks. <br /><br />It was a complete 180 on any other audience experience I've had in the States (except maybe in the Bay, but even there, white is the noticeable majority). I wanted to run around hugging people. I couldn't stop smiling. All these people kind of looked like me! Amazing. <br /><br />So the doors opened up, and I walked in. One of the troupe members was showing people the way, and he could have passed for my brother - very clearly hapa. A bit Asian, a little white, maybe something else. I greeted him enthusiastically (and probably freaked him out a bit - I might have been a bit too eager about it all) and entered the theatre. <br /><br />I was one of the first people in, so there were plenty of seating options and - for the first time - I actually chose to be in the front row. This matters because - in a small local theatre like this - being in the front row would put me almost literally <span style="font-style:italic;">in</span> the play, in full view. Since I usually feel out of place at things like this, I generally choose to hide in the back, in the darkness. <br /><br />But not this time. This time - I was going to be right up there, making sure I had the maximum amount of similar faces surrounding me. <br /><br />The rest of the crowd rolled in, and two older ladies chose to sit in the seat next to me. There were other seats available - they could have sat with a "buffer" seat between us like what always happens anywhere else I've been (literally - <span style="font-style:italic;">always</span> - if there is an option to not sit next to me, that's what happens).** The family on my left was an Asian family (Japanese). The ladies on my right, probably Hawaiian. I wasn't isolated in my private little space with buffer seats around me, obviously alone. No - this time, I had people <span style="font-style:italic;">choosing</span> to sit next to me. And even better - a random observer would never have known I was alone, because it was just as plausible that I was with either of the groups sitting around me - as I could have passed as a relative of either group without anybody questioning it.<br /><br />I was home. I was comfortable. It was like being back in the f-ing <span style="font-style:italic;">womb</span>. I honestly don't know if I've ever felt like that before. I was part of the audience on a level that I had never experienced before. I felt so welcome. Like I actually <span style="font-style:italic;">belonged</span>. It very nearly brought tears to my eyes.<br /><br />And then the show started - and it only got better. Because the staff was made up entirely of folks like the crowd around me - Asian, Hawaiian, or mixed. The lone exception was one white actor playing the secondary role as one of the main character's boyfriend - the butt of "family" jokes about how bad he stood out, how "different" he was. A complete role reversal - and I loved it.*** I got to laugh along <span style="font-style:italic;">with</span> the crowd. I was part of the joke. <br /><br />And the thing is - had it been the worst play in the world, I wouldn't really have cared. I was there for the company and the experience. The play and the acting was secondary to my motives. <br /><br />But the play was <span style="font-style:italic;">good</span>. I mean, really well done. There was some impressive acting, humor interspersed with more serious material that actually made you think, and the lighting and sound was professional and smooth. All far beyond what I have come to expect from most "local theatre" I've seen (not to say that I go often, for obvious reasons, but still). Maybe I thought the play was so good because it resonated with me in a way that no other play ever could. But, mostly, I think it was just because it was good. ****<br /><br />The play was "Whatever happened to John Boy Kihano?" by Susan Soon He Stanton (<span style="font-style:italic;">not</span> the one pictured, actually). In brief (because I don't want to ruin it), the story was about a Hawaiian family and how they deal with the disappearance of the youngest child. It deftly touched on race, class, abuse, tradition, and culture without feeling contrived. Without hammering any of them. In fact, it handled all those as aspects of <span style="font-style:italic;">family</span>, with the focus remaining on family - raising questions without righteousness or a need to "tell" us what to think about it. Making a note of it all, honoring it all, without moral lessons or the trite overindulgence of mainstream art. Native Hawaiian spirituality and culture was part of the story without spite, theft, or noble savagery. <br /><br />A white playwrite could never have written this. Could never have done it with such respect and raw reality. Neither could a white director have put it together. And neither should they - there is plenty of great art to be made without trampling non-white culture (if only more artists understood that). And there are plenty of great non-white artists to make this kind and more (if only <span style="font-style:italic;">the world</span> understood <span style="font-style:italic;">that</span>). <br /><br />And so the play wrapped me up and took me along. It harmonized with my own experiences and sang with me. Watching a play written by somebody that looks like me, about a family that looks like me with experiences that echo mine (in certain ways), portrayed by actors that looked like me, while sitting in an audience that looked more like family than my actual family does. <br /><br />So when the performance finally ended, I wasn't ready. I wanted to hold onto that feeling, knowing it wasn't one I was going to repeat for a very long time, maybe ever. But it was over. There was nothing I could do. <br /><br />And so I walked out, enveloped in a bubble of personal silence. The warm night air wrapped me in comfort and an uncontrollable sense of <span style="font-style:italic;">right</span>ness as I walked down the street. I walked for five or six blocks through a completely abandoned downtown Honolulu with the darkness resting on my shoulders like my childhood blanket. It was too perfect - that experience had been all for me, something I needed so badly, and I didn't see a single other soul in the street as I walked - nobody to distract me from my moment. Nothing to keep me from contemplating the feelings and thoughts rushing through me - things that no blog entry could ever explain sufficiently. <br /><br />When I finally made it to my car, I realized I had parked almost directly in front of the old palace. It was lit up majestically from the outside - and completely dark inside. Because nobody lived there, anymore. And my thoughts returned to what had made that night's experience possible - the sad history that created modern-day Hawaii. And so I will write on that next.<br /><br />But - until then - just like on that last night, I will shake that off for a bit and remain wrapped in the pure bliss of acceptance and belonging I was blessed with on my last night in Honolulu. Because that moment was all mine, and nothing can make me let it go. And - exactly because it's something that has happened so seldom in my life - I will always appreciate it on a level that so few others can attain. <br /><br />* Actually, I'm totally serious when I say the dude in the middle kind of looks like my brother . . .<br /><br />** Maybe it was because - for the first time - I was smiling and glowing with positive energy before the show, instead of silently counting the people of color in the room. <br /><br />*** Not fully a role-reversal, because his character actually got fleshed out past being a stereotype, more than usually happens for the funny "foreign" roles played by PoC in mainstream theatre and film. <br /><br />**** So to all those who claim that there just aren't enough high-caliber non-white actors, directors, playwrites, etc. out there - you're so full of sh--.Unknownnoreply@blogger.com16tag:blogger.com,1999:blog-3733547565614327236.post-85122127916117820672009-03-22T22:42:00.000-07:002009-03-23T23:28:45.996-07:00Hapa in Honolulu: Homecoming?<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ408RkU8aXqlG2QhKnuxySjn0c8gXXLAUxe4EeTL_cb2o4ngeuajd-j_IBw_vSzcR45jPG27ekVCPNH830tysCr28FixJbGwPgjVNMwS1HpGt0MsTwjJBwd3dCyyAPXpcuJ6FGB3DDyNc/s1600-h/Picture023_09Jul05_95916059.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ408RkU8aXqlG2QhKnuxySjn0c8gXXLAUxe4EeTL_cb2o4ngeuajd-j_IBw_vSzcR45jPG27ekVCPNH830tysCr28FixJbGwPgjVNMwS1HpGt0MsTwjJBwd3dCyyAPXpcuJ6FGB3DDyNc/s320/Picture023_09Jul05_95916059.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5316255214527457074" /></a><br /><br />This photo pretty much sums up my return to Portland this evening: blurry, empty, blue.<br /><br />Coming home is supposed to feel like a relief. It's supposed to feel comfortable and welcome. Something like how it felt for me to arrive in Honolulu. Not like my return to Portland.<br /><br />I walked through the terminal towards the exit, and I kept looking around, expecting the people around me to turn around and look like me. Or be Asian. Or at least not pale and white. But my expectations were not fulfilled.<br /><br />Welcome home. <br /><br />But I don't need to dwell on the negative right now. Instead, I shall give a little preview of what's to come in over the course of the next week on this blog:<br /><br />The "Hapa in Honolulu" series (that's right - I'm doing a "series," and it even has a cheesy-yet-catchy name to it). Most people go to Hawaii for sun and beaches - I went to relax on a more spiritual level (the relaxation of finally letting my guard down a bit and "blending in," phenotypically-speaking). <br /><br />In just one week on Oahu, I was filled with probably a couple weeks' worth of posts about identity, racial politics, American government, immigration, and my own place in it all. I received a blast of inspiration to write like I haven't felt in quite some time (essays as well as lyrics). I walked with my head held high, pondered things big and small and just thought and lived in a way that I haven't really been doing in recent months. So I'm going to let it out in a slow trickle (or maybe more like a couple downpours) over my next few posts.<br /><br />So that's what you all have to look forward to. If you're mixed like me, I'm sure you'll enjoy it, but don't worry - I've got plenty of thoughts that should keep all you monoracial folks involved, as well. <br /><br />Enjoy.Unknownnoreply@blogger.com5tag:blogger.com,1999:blog-3733547565614327236.post-2704666259352106672009-03-17T21:48:00.000-07:002009-03-22T23:30:33.650-07:00Going Home?<a href="http://2.bp.blogspot.com/_mUvHdNrU7AU/ScB-s9bMKoI/AAAAAAAAAy0/HIuXZOXELIg/s1600-h/ln11a1_b.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 210px;" src="http://2.bp.blogspot.com/_mUvHdNrU7AU/ScB-s9bMKoI/AAAAAAAAAy0/HIuXZOXELIg/s320/ln11a1_b.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5314386871165135490" /></a><br /><br />I'm in Hawaii right now. Honolulu. It's my Spring Break, and I needed a break from Portland, big-time. Done with the weather. Tired from work. Needing some color (in my own skin and outside of it) badly.<br /><br />So I'm here. Which precludes me writing a full-on post before I get back on Sunday, but let's just say I have a lot to write when I get back (about Native Hawaiians vs. others; blending in; and more). Just wanted to let you all know not to worry, I'm doing great.<br /><br />When I went through security to fly out here, the Filipino attendant with Hawaiian airlines asked me, "You going home?" And I almost said, "yes." God it feels good to look like other people . . .<br /><br />More to come soon.<br /><br />Until then, I'm going to go eat me some <em>real </em>Korean food.Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-3733547565614327236.post-23884835287913942022009-03-12T20:47:00.000-07:002009-03-23T00:13:16.518-07:00Why Civil Rights?<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_mUvHdNrU7AU/SbnXi39kaxI/AAAAAAAAAys/wC_EyUoRpok/s1600-h/national-civil-rights-museum.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 256px;" src="http://3.bp.blogspot.com/_mUvHdNrU7AU/SbnXi39kaxI/AAAAAAAAAys/wC_EyUoRpok/s320/national-civil-rights-museum.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5312514229597924114" /></a><br /><br />Yesterday, we had a "Civil Rights" assembly at school. The whole school, in a circle, sharing short research papers about various civil rights leaders. <br /><br />And the kids were <span style="font-style:italic;">antsy</span>. They were bored. They complained. They didn't want to read. They hated the research. They didn't listen to <span style="font-style:italic;">anything</span>. <br /><br />And it killed me. While my co-worker tried to lead a short discussion on the "importance of Civil Rights," nobody had anything to say. They didn't care. They chatted amongst each other, cracking jokes. One kid answered her phone in the middle of it.<br /><br />And I just watched it all. Tried to quiet kids. But it slowly suffocated my soul. Kids that are so directly affected by the fight for rights by race, or class, or gender in this country - so completely bored and disconnected from the topic. <br /><br />And so I finally had to say something. Right when our principal was about to just cut the whole thing off to minimize the damage already done, I spoke out. I told them, flat out, "My mom had bricks thrown through her windows when she was your age because of her race. People thought she was Japanese, so they threw bricks through her windows at home. That didn't happen to me as a kid, because some people stood up. But I am still dealing with other racist actions, so now it is up to me to stand up, for <span style="font-style:italic;">my</span> kids' sakes."<br /><br />And, suddenly, the kids were with me. I went on - for a bit - about the present-tense of Civil Rights and how all the injustice and unfair things they suffer <span style="font-style:italic;">right now</span> is only going to be improved by folks who stand up. Not just three or four token "Civil Rights Leaders," but en masse. And a discussion started. The kids engaged.<br /><br />Now, I'm not going to say everything was "saved" and everybody learned a valuable lesson. But the whole mood shifted, and I could see the kids starting to see something. So much left unsaid. But it was a beginning. And I'm itching to continue it.<br /><br />And so, tonight, I had to just sit down and write. I intend to share this with the kids tomorrow. It's not polished. I didn't edit it. No clever rhyme-schemes like I usually employ. But, sometimes, raw feels just fine.* So, some words by CVT:<br /><br /><blockquote>The kids rolled their eyes and complained - 'Why Civil Rights?'<br />And I was shocked into silence<br />'Why do we have to learn about Civil Rights?'<br />Like it was a single set of facts that had to be painfully memorized<br />'Why Civil Rights?'<br /><br />I almost cried with frustration<br />But - instead - I chose to REPLY:<br /><br />"Why do <span style="font-style:italic;">we have to</span> learn about Civil Rights?<br />Might as well ask why <span style="font-style:italic;">we have to</span> learn how to breathe<br />Because without rights - like air - you'd live a short life on your knees<br />Wheezing, gasping, choking - letting your 'superiors' keep you there<br />Accepting injustice because 'that's just how it is.'<br /><br />Why Civil Rights?<br />Because my mom had rocks thrown at her due to the slant of her eyes.<br />Why Civil Rights? <br />Because our grandparents were alive when mobs lynching black people 'just happened.'<br />Why Civil Rights?<br />Because without unions, poor trade workers were poisoned on the job.<br />Why Civil Rights?<br />Because our great-grandmothers - of any race - couldn't choose their president.<br /><br />But that's past, right?<br />All those problems have been 'fixed' now<br />By those four Civil Rights leaders you've heard of - who happen to be dead<br />So stop living in the past<br /><br />And so I will, and I do, and so I will tell you:<br />Why Civil Rights?<br />Because an unarmed black man, lying on the ground, submitting to arrest, was shot in the back by a police officer <span style="font-style:italic;">days</span> before Obama's inauguration.<br />Why?<br />Because this country - built by colonizers and immigrants - patrols its borders with guns to keep <span style="font-style:italic;">Mexican</span> immigrants from crossing 'illegally.'<br />Why?<br />Because being poor means you can't afford to sue your employer when you're fired for being too sick to work - from the cough the factory smoke put in your lungs.<br />Why? <br />Because we can call a U.S. citizen an 'enemy combatant' and lock them away without trial.<br />Why?<br />Because we can let the education system heap advantages on the already-rich<br />Letting a budget-crisis close schools in the less-wealthy part of town<br />While spending a trillion dollars on defense each year. <br />Why?<br />Because 25% of the homeless in this country are the same veterans that we 'support' - while they're abroad.<br />Why? <br />Because - in most states - you are not human enough to love and marry if you're not straight.<br /><br />Why Civil Rights?<br />Because you have been marked<br />By your race, or gender, or religion<br /><br />You have been marked<br />By your poverty, or sexuality, or disability<br /><br />You have been marked<br />For unjust treatment throughout your life<br />For powerlessness at the hands of those deemed 'more capable'<br />For fear, and frustration, and anger when what you were born to limits your opportunities<br /><br />You have been marked<br />For all of these things - and more<br />Until you understand that Civil Rights is <span style="font-style:italic;">not</span> dead, perfect leaders from the past<br />That Civil Rights is <span style="font-style:italic;">not</span> a few random dates and facts<br />It did <span style="font-style:italic;">not</span> happen<br />It <span style="font-style:italic;">is happening</span><br /> Always occurring<br /> Ever-evolving<br /> Sometimes progressing<br /><br />But only for and by those who hear the question: 'Why Civil Rights?'<br /><br />And respond -<br /><span style="font-style:italic;">Because they're <span style="font-weight:bold;">mine</span></span>." </blockquote><br /><br />*Mental note, this isn't "poetry," but meant to be performed, spoken-word and all that . . .Unknownnoreply@blogger.com7